World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools for a truly global approach to theatre. Glenn Odom identifies major debates in theatrical theory from around the world, combining discussions of the key theoretical questions facing theatre studies with specific primary materials and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, the Antipodes, Latin America and East Asia, and India.
World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools for a truly global approach to theatre. Glenn Odom identifies major debates in theatrical theory from around the world, combining discussions of the key theoretical questions facing theatre studies with specific primary materials and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, the Antipodes, Latin America and East Asia, and India.
Glenn Odom is a senior lecturer in the Department of Drama, Theatre, and Performance at the University of Roehampton.
Inhaltsangabe
Acknowledgements Preface Introduction: World, Theory, Theatre Part 1: Theoretical Questions * Aesthetics * Theatre and Politics * Decolonization, Hybridity, Postcoloniality, Interculturalism, and Globalization * Identity / The Actor * Modernity and Theatre * Toward a Theorization of Gender in World Theatre Part 2: Cultural and Literary Theory * Latin America and the Caribbean * Sub-Saharan Africa * North Africa and the Middle East * Australia and New Zealand * East Asia * India Theory and Practice Bibliography
Acknowledgements
Preface
Introduction: World, Theory, Theatre
Part 1: Theoretical Questions
Aesthetics
Theatre and Politics
Decolonization, Hybridity, Postcoloniality, Interculturalism, and Globalization
Acknowledgements Preface Introduction: World, Theory, Theatre Part 1: Theoretical Questions * Aesthetics * Theatre and Politics * Decolonization, Hybridity, Postcoloniality, Interculturalism, and Globalization * Identity / The Actor * Modernity and Theatre * Toward a Theorization of Gender in World Theatre Part 2: Cultural and Literary Theory * Latin America and the Caribbean * Sub-Saharan Africa * North Africa and the Middle East * Australia and New Zealand * East Asia * India Theory and Practice Bibliography
Acknowledgements
Preface
Introduction: World, Theory, Theatre
Part 1: Theoretical Questions
Aesthetics
Theatre and Politics
Decolonization, Hybridity, Postcoloniality, Interculturalism, and Globalization
Identity / The Actor
Modernity and Theatre
Toward a Theorization of Gender in World Theatre
Part 2: Cultural and Literary Theory
Latin America and the Caribbean
Sub-Saharan Africa
North Africa and the Middle East
Australia and New Zealand
East Asia
India
Theory and Practice
Bibliography
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