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"Dealing with widely- and under-read poets in the age of liberalism and neoliberalism, this impressive study is an essential addition to the history of poetic 'tradition.' Following (and complicating) such formations of 'tradition' as the avant-garde (Perloff), 'opposing poetries' (Lazer), and marginalization (Moten, DuPlessis), Spahr has brilliantly excavated our tradition of politically committed poetry. No tradition could feel more necessary now." - Jennifer Ashton, AssociateProfessor of English, University of Illinois at Chicago, USA