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African Pasts, Presents, and Futures: Generational Shifts in African Women's Literature, Film, and Internet Discourse, by Touria Khannous, provides a history of African women's cultural production, as well as an alternative approach to the arguments that have traditionally dominated post-colonial studies in general, and African and gender studies in particular. It examines some of the more overarching questions that are prevalent in the works of African women authors, who position themselves within the contexts of Islam, feminism, nationalism, modernity, and global and postcolonial politics,…mehr
African Pasts, Presents, and Futures: Generational Shifts in African Women's Literature, Film, and Internet Discourse, by Touria Khannous, provides a history of African women's cultural production, as well as an alternative approach to the arguments that have traditionally dominated post-colonial studies in general, and African and gender studies in particular. It examines some of the more overarching questions that are prevalent in the works of African women authors, who position themselves within the contexts of Islam, feminism, nationalism, modernity, and global and postcolonial politics, thus engaging in the construction of socio-political platforms for reform in their home countries. The book explores different aspects of women's agency at the political, cultural, social, religious and aesthetic level, and highlights their civil society activism and push for legal reform. It also traces their opinions on a range of social and political questions and underscores fundamental shifts in their positions and concerns through the different generations.
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Autorenporträt
Touria Khannous is an assistant professor in the Department of Foreign Languages and the International Studies Program at Louisiana State University. She has published articles on women's writing from Africa and the African diaspora, African cinema, black diaspora studies, and cultural studies. She is currently working on a book manuscript entitled Black-Arab Encounters: Representations of Blackness in Arabic Literature.
Inhaltsangabe
Table of Contents Acknowledgements Theoretical Introduction Part I: Negotiating Colonial and National Politics Chapter 1Algerian Women in the Public Sphere: Remaking / Her / Story in Assia Djebar's Film La Nouba des Femmes du Mont Chenoua Chapter 2Ama Ata Aidoo's Modernism and the Politics of Postcolonialism Chapter 3Rewriting Power: Bessie Head's Revolutionary Politics Part II: Postcolonial Injustices Chapter 4National Reconciliation through Narrative: Malika Oufkir's Stolen Lives Chapter 5National Violence and Male Crisis Discourse in Yvonne Vera's The Stone Virgins Chapter 6Political Satire in Tess Onuweme's Play No Vacancy Part III: Reflections on Islam, Identity and Gender Chapter 7Islam, Gender and Identity in Leila Abouzeid's The Last Chapter: A Postcolonial Critique Chapter 8Strategies of Representation and Post/colonial Identity in Farida Benlyazid's Door to the Sky and Moufida Tlatli's Silences of the Palace Chapter 9Islam, Youth and the Global: Leila Merrakshi's Controversial Film Marock Part IV: Internet Discourse and Women as Agents of Change Chapter 10Debating Islam, Gender and the Arab Spring: Moroccan and Tunisian Women's Cyberspace Conclusion Bibliography/Filmography
Table of Contents Acknowledgements Theoretical Introduction Part I: Negotiating Colonial and National Politics Chapter 1Algerian Women in the Public Sphere: Remaking / Her / Story in Assia Djebar's Film La Nouba des Femmes du Mont Chenoua Chapter 2Ama Ata Aidoo's Modernism and the Politics of Postcolonialism Chapter 3Rewriting Power: Bessie Head's Revolutionary Politics Part II: Postcolonial Injustices Chapter 4National Reconciliation through Narrative: Malika Oufkir's Stolen Lives Chapter 5National Violence and Male Crisis Discourse in Yvonne Vera's The Stone Virgins Chapter 6Political Satire in Tess Onuweme's Play No Vacancy Part III: Reflections on Islam, Identity and Gender Chapter 7Islam, Gender and Identity in Leila Abouzeid's The Last Chapter: A Postcolonial Critique Chapter 8Strategies of Representation and Post/colonial Identity in Farida Benlyazid's Door to the Sky and Moufida Tlatli's Silences of the Palace Chapter 9Islam, Youth and the Global: Leila Merrakshi's Controversial Film Marock Part IV: Internet Discourse and Women as Agents of Change Chapter 10Debating Islam, Gender and the Arab Spring: Moroccan and Tunisian Women's Cyberspace Conclusion Bibliography/Filmography
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