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Afro-Cuban Religions and the Arts: A Dog Has Four LegsBut Takes Only One Path argues for an understanding of Afro-Cuban religions and Vodou through the arts, be it through music, the visual arts, film, or literature. This book examines the philosophical and spiritual facets of religions like Regla de Ocha, Palo, Abakuá, and Vodou, and how deeply embedded they are in Cuban popular culture. Cuban popular music, from son to salsa, timba to rap, offer reflections on Ocha, Palo, and Abakuá influences. Film and visual arts borrow allegory from Regla de Ocha and Palo beliefs. Myth and the Haitian…mehr
Afro-Cuban Religions and the Arts: A Dog Has Four LegsBut Takes Only One Path argues for an understanding of Afro-Cuban religions and Vodou through the arts, be it through music, the visual arts, film, or literature. This book examines the philosophical and spiritual facets of religions like Regla de Ocha, Palo, Abakuá, and Vodou, and how deeply embedded they are in Cuban popular culture. Cuban popular music, from son to salsa, timba to rap, offer reflections on Ocha, Palo, and Abakuá influences. Film and visual arts borrow allegory from Regla de Ocha and Palo beliefs. Myth and the Haitian Revolution is embedded throughout the work of Alejo Carpentier, Aimé Césaire, and Derek Walcott. This volume seeks to dialogue with the works of contemporary artists and Caribbean ancestors such as C.L.R. James, Wilson Harris, and Fernández-Retamar, in order to show the impacts that spiritualism, religious belief, and mythology have had on Afro-Cuban art.
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Autorenporträt
Alan West-Durán is professor in the Department of Cultures, Societies, and Global Studies (CSGS) at Northeastern University.
Inhaltsangabe
Acknowledgments Introduction: The Dogs of Myth, the Dogs of History Chapter 1: Don't Mess With the Saints: Afro-Cuban Religions and Popular Music, from María Teresa Vera to Hip Hop Chapter 2: "A River That Never Rests": Omar Sosa Chapter 3: Whistling into the Future with the Orishas: "Life is to Whistle" Chapter 4: Water, Crossroads and Diaspora: Magda Campos-Pons Chapter 5: Crossroads of History and the Spirits: José Bedia Chapter 6: All That's Ideology Melts into Flesh: "Juan of the Dead" and Palero Resilience Chapter 7: The Haitian Revolution and Vodou: Myth, Muses and History Postscript: A Dialogue with the Dead Appendix A: Regla de Ocha (Santeria) Appendix B: Reglas de Palo Appendix C: The Abakuá Appendix D: Vodou Appendix E: Chart of Comparative Pantheons (Ocha-Palo-Abakuá-Catholic--Greek) Appendix F: Vodou Pantheon with Catholic Syncretisms Appendix G: Afro-Cuban Religious and Vodou Glossary of Terms Bibliography Index About the Author
Acknowledgments Introduction: The Dogs of Myth, the Dogs of History Chapter 1: Don't Mess With the Saints: Afro-Cuban Religions and Popular Music, from María Teresa Vera to Hip Hop Chapter 2: "A River That Never Rests": Omar Sosa Chapter 3: Whistling into the Future with the Orishas: "Life is to Whistle" Chapter 4: Water, Crossroads and Diaspora: Magda Campos-Pons Chapter 5: Crossroads of History and the Spirits: José Bedia Chapter 6: All That's Ideology Melts into Flesh: "Juan of the Dead" and Palero Resilience Chapter 7: The Haitian Revolution and Vodou: Myth, Muses and History Postscript: A Dialogue with the Dead Appendix A: Regla de Ocha (Santeria) Appendix B: Reglas de Palo Appendix C: The Abakuá Appendix D: Vodou Appendix E: Chart of Comparative Pantheons (Ocha-Palo-Abakuá-Catholic--Greek) Appendix F: Vodou Pantheon with Catholic Syncretisms Appendix G: Afro-Cuban Religious and Vodou Glossary of Terms Bibliography Index About the Author
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