Will Daddario

Baroque, Venice, Theatre, Philosophy (eBook, PDF)

• Format: PDF

Produktbeschreibung

Provides a simultaneously detailed and accessible analysis of Baroque aesthetics

Takes a multidisciplinary approach to this under-explored subject, opening up the topic's analysis and interpretation to a wider audience

Investigates the intersection of contemporary and medieval philosophy in its exploration of Italian Baroque culture

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Produktdetails

• Verlag: Springer International Publishing
• Seitenzahl: 261
• Erscheinungstermin: 2. Juni 2017
• Englisch
• ISBN-13: 9783319495231
• Artikelnr.: 53032339

Autorenporträt

Will Daddario is Co-Editor with Karoline Gritzner of Adorno and Performance (2014) and with Laura Cull Ó Maoilearca of Manifesto Now! Instructions for Performance, Philosophy, Politics (2013). He is the Chair of the Performance and Philosophy Working Group within Performance Studies international and a founding member of the international network Performance Philosophy.

Inhaltsangabe

Introduction.- Part I. Baroque Pastoral.- Chapter 1. Garden Thinking and Baroque Pastoral.- Chapter 2. Pastoral Askew and Aslant.- Chapter 3. Jesuit Pastoral Theatre.- Part II. Discipline and Excess.- Chapter 4. Ruzzante Takes Place.- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo'.- Chapter 6. Baroque Diarchic Self.- Bibliography.- Index.

Rezensionen

"Baroque, Venice, Theatre, Philosophy is a clearly written, closely argued, and carefully drawn study of the Italian baroque in historical (sixteenth and seventeenth centuries), architectural, and metaphorical space and time." (Spencer Golub,Theatre Journal, Vol. 71 (4), December, 2019)
"A worthy addition to the Jesuit theater bookshelf." (Kevin J. Wetmore, Journal of Jesuit Studies, Vol. 5, 2018)