Despite 30 years of government intervention, the cultural industry sector has not consistently performed as an agent of socio-economic change. In that sense, it has not delivered on its promise to diversify the small island economies in the region. This book aims to map how Caribbean creative activity connects and traverses the prickly domains of cultural policy, cultural institutions, cultural entrepreneurship and artistic practice to open new vistas of understanding cultural production and to provide a more nuanced reading of the cultural life of the Caribbean.
This innovative and practical study will be of interest not only to scholars and practitioners interested and working in the Caribbean but also to researchers and advanced students in cultural policy, as well as to policy makers and other researchers working in cultural policy development, arts practice and creative entrepreneurship within small island states.
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