The book defines exceptionalism and its role in US Beaux-Arts federal architecture. Subsequent chapters compare specific examples of Beaux-Arts civic architecture in the continental US and Latin America. The book also studies architectural and urban design from other US possessions of the Progressive Era, such as the former Panama Canal Zone and occupied territories like the Dominican Republic. Reviewing the work of relevant designers and architects, Achurra G. argues that architectural examples epitomize the rich, expansionist intentions of twentieth-century Progressive America. These lingering buildings function as intriguing material evidence of the United States' geopolitical, historical, and commercial meddling in the internal affairs of the Americas and elsewhere.
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