Through a series of darkly comic and increasingly absurd incidents, the story exposes the deep-seated resentments in Bengaluru toward North Indian migrants, who are blamed for everything from job theft and rising rents to cultural erosion and urban decay. Chunmun's attempts to adapt, like buying a Kannada phrasebook or maintaining silence, only backfire, turning compliments into flirtation fiascos, job interviews into rejections, and peaceful moments in parks or temples into violent expulsions. The novella paints a vivid portrait of the city's vibrant chaos-its scents of jasmine and exhaust, colors of saris and billboards, and sounds of multilingual cacophony-while highlighting the vicious cycle of mutual prejudice between locals and migrants, fueled by economic pressures and identity politics.
Ultimately, after enduring 30 beatings that culminate in a final, insignificant shove at the railway station, a broken Chunmun returns to Bihar, his Technicolor dreams shattered. Back in his village, amid the familiar monsoons and family embraces, he finds a bittersweet sense of belonging in the shared hardships of home. The novella concludes as a poignant commentary on India's fractious unity, where migration promises opportunity but often delivers alienation, and true stability lies not in urban ambition but in rooted resilience.
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