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  • Format: ePub

An Orwellian dystopian fable about a group of freedom fighters attempting to stand up to a repressive regime, while being continuously subjected to surveillance. A young couple prepare dinner - but something isn't right. In a city not so different from our own capital, a group of freedom fighters attempts to stand up to an Orwellian establishment in increasingly perilous circumstances. The story that unfolds brings into question relationships, identities and the nature of reality itself... Sam Holcroft's short play Edgar & Annabel was first performed in a double bill with The Swan by D.C.…mehr

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Produktbeschreibung
An Orwellian dystopian fable about a group of freedom fighters attempting to stand up to a repressive regime, while being continuously subjected to surveillance. A young couple prepare dinner - but something isn't right. In a city not so different from our own capital, a group of freedom fighters attempts to stand up to an Orwellian establishment in increasingly perilous circumstances. The story that unfolds brings into question relationships, identities and the nature of reality itself... Sam Holcroft's short play Edgar & Annabel was first performed in a double bill with The Swan by D.C. Moore as part of the National Theatre's Double Feature season of paired short plays at the Paintframe, a specially converted space at the National Theatre, London, in July 2011.

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Autorenporträt
Sam Holcroft is a playwright, winner of the Windham Campbell Prize for Literature. Her plays include: A Mirror (Almeida Theatre, London, 2023; West End, 2024); Rules for Living (National Theatre, London, 2015); The Wardrobe for National Theatre Connections; Edgar & Annabel, part of the Double Feature season in the Paintframe at the National Theatre; Dancing Bears, part of the Charged season for Clean Break at Soho Theatre and Latitude Festival; While You Lie at the Traverse, Edinburgh; Pink, part of the Women, Power and Politics season at the Tricycle; Vanya, adapted from Chekhov, at The Gate; and Cockroach, co-produced by the National Theatre of Scotland and Traverse (nominated for Best New Play 2008, by the Critics' Awards for Theatre in Scotland and shortlisted for the John Whiting Award, 2009). In 2013, she wrote The House Taken Over, a libretto for opera, adapted from Cortázar, for the Festival d'Aix-en-Provence and Académie Européenne de Musique. She received the Tom Erhardt Award in 2009, was the Pearson Writer-in-Residence at the Traverse Theatre, 2009-10, and the Writer-in-Residence at the National Theatre Studio from 2013-14. In 2014, she received a Windham Campbell Prize for Literature in the drama category.