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Moscovici proposes a new understanding of how gender relations were reformulated by both male and female writers in nineteenth-century France. She analyzes the different versions of gendered citizenship elaborated by Friedrich Hegel, George Sand, Honore de Balzac, Auguste Comte and Herculine Barbin revealing a shift from a single dialectical (or male-centered) definition of citizenship to a double dialectical (or bi-gendered) one in which each sex plays an important role in subject-citizenship and is defined as the negation of the other sex. Moscovici further argues that a double dialectical…mehr

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Produktbeschreibung
Moscovici proposes a new understanding of how gender relations were reformulated by both male and female writers in nineteenth-century France. She analyzes the different versions of gendered citizenship elaborated by Friedrich Hegel, George Sand, Honore de Balzac, Auguste Comte and Herculine Barbin revealing a shift from a single dialectical (or male-centered) definition of citizenship to a double dialectical (or bi-gendered) one in which each sex plays an important role in subject-citizenship and is defined as the negation of the other sex. Moscovici further argues that a double dialectical pattern of androgyny endows women with a (relational) cultural identity that secures their paradoxical roles as both representatives and outsiders to subject-citizenship in nineteenth-century French society and culture.
Autorenporträt
Claudia Moscovici is art critic and novelist based in Ann Arbor, Michigan. She obtained her A.B. in Comparative Literature from Princeton University, a Ph.D. in the same field from Brown University and has taught courses on the French Enlightenment, Romanticism and art and aesthetics at Boston University and the University of Michigan. She's the author of the art and aesthetics textbook, Romanticism and Postromanticism (Lexington Books, 2010), and a founding partner of Panodyssey.com, an international art and culture collaborative venture started in 2019 by Universal Music France executive Alexandre Leforestier, IT innovator Yann Rigo and marketing entrepreneur Valentin Bert. Due to the popularity of her art blog, https://fineartebooks.wordpress.com/, she has been voted by artists one of the top five "most famous female art critics in the world" on ranker.com, the largest international database of opinions, with more than 1 billion votes.