This book represents an attempt to capture different links between modern literature and music. The author examines strict intertextual correlations, the phenomena of musicality and musicality of literary works, the musical structure in literature, so-called musical literary texts. He focuses on the novel
Le Coeur absolu by Philippe Sollers, the poem
Todesfuge by Paul Celan, the
Preludio e Fughe by Umberto Saba and the drama
Judasz z Kariothu [
Judas Iscariot] by Karol Hubert Rostworowski. The analysis also includes Stanislaw Baranczak's cycle of poems
Podróz zimowa: Wiersze do muzyki Franza Schuberta [
Winter Journey: Poems to the Music of Franz Schubert] and a fragment of
Scène from
Hérodiade by Stéphane
Mallarmé in Paul Hindemith's composition
«Hérodiade» de Stéphane Mallarmé.
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