A close study of the philosophical writings of Henri Bergson, Gilles Deleuze, and Gaston Bachelard are used to theorize work by choreographers renowned for their productively idiosyncratic approaches to dance: Jonathan Burrows and Matteo Fargion, Ivana Müller, Mette Edvardsen, and Mårten Spångberg. Rutgeerts analyzes syncopation in the work of Burrows and Fargion, hesitation in Müller's While We Were Holding It Together, repetition in pieces by Edvardsen, and the audience's experience of the present in Spångberg's Natten.
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