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In literary and cinematic representations, deserts often betoken collapse and dystopia. Reading Aridity in Western American Literature offers readings of literature set in the American Southwest from ecocritical and new materialist perspectives. This book explores the diverse epistemologies, histories, relationships, futures, and possibilities that emerge from the representation of American deserts in fiction, film, and literary art, and traces the social, cultural, economic, and biotic narratives that foreground deserts, prompting us to reconsider new, provocative modes of human/nonhuman engagement in arid ecogeographies.…mehr
In literary and cinematic representations, deserts often betoken collapse and dystopia. Reading Aridity in Western American Literature offers readings of literature set in the American Southwest from ecocritical and new materialist perspectives. This book explores the diverse epistemologies, histories, relationships, futures, and possibilities that emerge from the representation of American deserts in fiction, film, and literary art, and traces the social, cultural, economic, and biotic narratives that foreground deserts, prompting us to reconsider new, provocative modes of human/nonhuman engagement in arid ecogeographies.
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Autorenporträt
Jada Ach is a lecturer for the leadership and integrative studies program at Arizona State University. Gary Reger is Hobart professor of classical languages at Trinity College in Hartford, Connecticut.
Inhaltsangabe
Contents Acknowledgments Foreword: Desertification by Tom Lynch Introduction: The Dry Time by Jada Ach and Gary Reger Part I: Eco-Identities and Environmental Belonging in Arid America Chapter 1: Imagined Deserts, Planned Communities, and Escape Pods in the American West by Amy T. Hamilton Chapter 2: Aridity, Individualism, and Paradox in Elmer Kelton's The Time it Never Rained by Quinn Grover Chapter 3: Desert Haunting: A Gothic Reading of Arturo Islas' The Rain God by Cordelia Barrera Chapter 4: Imagining the Southwest in Willa Cather's Frontier Novels: Settler Colonialism in The Song of the Lark, The Professor's House, and Death Comes for the Archbishop by Zachary R. Hernandez Part II: Desert Remains: Roads, Dams, and Discarded Pianos Chapter 5: Desert Roads, "Construction Men," and Infrastructural Impulses in Willa Cather's The Professor's House by Jada Ach Chapter 6: "It was the river": Indigenous Anti-Dam Literature of the Great American Desert by Holly Jean Richard and Paul Formisano Chapte
Contents Acknowledgments Foreword: Desertification by Tom Lynch Introduction: The Dry Time by Jada Ach and Gary Reger Part I: Eco-Identities and Environmental Belonging in Arid America Chapter 1: Imagined Deserts, Planned Communities, and Escape Pods in the American West by Amy T. Hamilton Chapter 2: Aridity, Individualism, and Paradox in Elmer Kelton's The Time it Never Rained by Quinn Grover Chapter 3: Desert Haunting: A Gothic Reading of Arturo Islas' The Rain God by Cordelia Barrera Chapter 4: Imagining the Southwest in Willa Cather's Frontier Novels: Settler Colonialism in The Song of the Lark, The Professor's House, and Death Comes for the Archbishop by Zachary R. Hernandez Part II: Desert Remains: Roads, Dams, and Discarded Pianos Chapter 5: Desert Roads, "Construction Men," and Infrastructural Impulses in Willa Cather's The Professor's House by Jada Ach Chapter 6: "It was the river": Indigenous Anti-Dam Literature of the Great American Desert by Holly Jean Richard and Paul Formisano Chapte
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