Representing Hip Hop Histories, Politics and Practices in Australia (eBook, PDF)
Redaktion: Dowsett, Sudiipta; Saunders, Grant Leigh; Rodger, Dianne; Marie, Lucas
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Representing Hip Hop Histories, Politics and Practices in Australia (eBook, PDF)
Redaktion: Dowsett, Sudiipta; Saunders, Grant Leigh; Rodger, Dianne; Marie, Lucas
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This long-awaited volume is the first to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across eleven chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip-Hop in Australia.
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This long-awaited volume is the first to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across eleven chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip-Hop in Australia.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 230
- Erscheinungstermin: 23. September 2024
- Englisch
- ISBN-13: 9781040146019
- Artikelnr.: 72284511
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 230
- Erscheinungstermin: 23. September 2024
- Englisch
- ISBN-13: 9781040146019
- Artikelnr.: 72284511
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Sudiipta Dowsett is a Research Associate in the Faculty of Art, Design and Architecture at the University of New South Wales, Australia. Lucas Marie is the Deputy Director for Culture, at the Centre for Defence Leadership & Ethics (CDLE), Australian Defence College, Canberra. Dianne Rodger is Senior Lecturer in the Department of Anthropology and Development Studies at the University of Adelaide, Australia. Grant Leigh Saunders is a Biripi First Nations independent creative researcher, award-winning documentary filmmaker and Regional Manager of Joint Colleges Training Services (NSW/ACT).
Introduction: Representing Hip Hop in Australia Section 1: Hip Hop
Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip Hop Section 2: Hip Hop Activism and Politics 4.
Hip Hop, Activism and Other Stories (Herstory) 5. 'Hip Hop Crim' - A
Discourse Analysis of Conscious First Nations Hip Hop Contesting
Australia's Criminal Justice System 6. We Need to Infiltrate Those Spaces:
Space-Reclaiming through Counternarratives in First Nations Hip-Hop in
Sydney 7. 'Hip-Hop Fam' or a Larrikin Brand? Urthboy and the Bind of the
Conscious MC Section 3: Hip Hop Performance Practices and Place 8. Hip Hop
Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond Representing Place to
Warlpiri Embodiments of Country in Milpirri Hip Hop 10. 'Who is this
Imposter?': Women in Australian Underground Hip Hop 11. "In a Good Way
There's No BEEF, but the Bad Thing is There's No BEEF": Tensions and
Changing Cultural Politics in Sydney's Breaking Scene.
Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip Hop Section 2: Hip Hop Activism and Politics 4.
Hip Hop, Activism and Other Stories (Herstory) 5. 'Hip Hop Crim' - A
Discourse Analysis of Conscious First Nations Hip Hop Contesting
Australia's Criminal Justice System 6. We Need to Infiltrate Those Spaces:
Space-Reclaiming through Counternarratives in First Nations Hip-Hop in
Sydney 7. 'Hip-Hop Fam' or a Larrikin Brand? Urthboy and the Bind of the
Conscious MC Section 3: Hip Hop Performance Practices and Place 8. Hip Hop
Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond Representing Place to
Warlpiri Embodiments of Country in Milpirri Hip Hop 10. 'Who is this
Imposter?': Women in Australian Underground Hip Hop 11. "In a Good Way
There's No BEEF, but the Bad Thing is There's No BEEF": Tensions and
Changing Cultural Politics in Sydney's Breaking Scene.
Introduction: Representing Hip Hop in Australia Section 1: Hip Hop
Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip Hop Section 2: Hip Hop Activism and Politics 4.
Hip Hop, Activism and Other Stories (Herstory) 5. 'Hip Hop Crim' - A
Discourse Analysis of Conscious First Nations Hip Hop Contesting
Australia's Criminal Justice System 6. We Need to Infiltrate Those Spaces:
Space-Reclaiming through Counternarratives in First Nations Hip-Hop in
Sydney 7. 'Hip-Hop Fam' or a Larrikin Brand? Urthboy and the Bind of the
Conscious MC Section 3: Hip Hop Performance Practices and Place 8. Hip Hop
Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond Representing Place to
Warlpiri Embodiments of Country in Milpirri Hip Hop 10. 'Who is this
Imposter?': Women in Australian Underground Hip Hop 11. "In a Good Way
There's No BEEF, but the Bad Thing is There's No BEEF": Tensions and
Changing Cultural Politics in Sydney's Breaking Scene.
Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip Hop Section 2: Hip Hop Activism and Politics 4.
Hip Hop, Activism and Other Stories (Herstory) 5. 'Hip Hop Crim' - A
Discourse Analysis of Conscious First Nations Hip Hop Contesting
Australia's Criminal Justice System 6. We Need to Infiltrate Those Spaces:
Space-Reclaiming through Counternarratives in First Nations Hip-Hop in
Sydney 7. 'Hip-Hop Fam' or a Larrikin Brand? Urthboy and the Bind of the
Conscious MC Section 3: Hip Hop Performance Practices and Place 8. Hip Hop
Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond Representing Place to
Warlpiri Embodiments of Country in Milpirri Hip Hop 10. 'Who is this
Imposter?': Women in Australian Underground Hip Hop 11. "In a Good Way
There's No BEEF, but the Bad Thing is There's No BEEF": Tensions and
Changing Cultural Politics in Sydney's Breaking Scene.