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This book discusses the role of television drama series on a global scale, analyzing these dramas across the Americas, Europe, Asia, Australia, and Africa. Contributors consider the role of television dramas as economically valuable cultural products and with their depictions of gender roles, sexualities, race, cultural values, political systems, and religious beliefs as they analyze how these programs allow us to indulge our innate desire to share human narratives in a way that binds us together and encourages audiences to persevere as a community on a global scale. Contributors also go on to…mehr
This book discusses the role of television drama series on a global scale, analyzing these dramas across the Americas, Europe, Asia, Australia, and Africa. Contributors consider the role of television dramas as economically valuable cultural products and with their depictions of gender roles, sexualities, race, cultural values, political systems, and religious beliefs as they analyze how these programs allow us to indulge our innate desire to share human narratives in a way that binds us together and encourages audiences to persevere as a community on a global scale. Contributors also go on to explore the role of television dramas as a medium that indulges fantasies and escapism and reckons with reality as it allows audiences to experience emotions of happiness, sorrow, fear, and outrage in both realistic and fantastical scenarios.
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Autorenporträt
Diana I. Ríos is associate professor in the Department of Communication and El Instituto: Latino/Latin American and Caribbean Studies at the University of Connecticut. Carolyn A. Lin is professor of communication at the University of Connecticut.
Inhaltsangabe
Introduction: Television Dramas as Storytellers of Race and Gender for the Global Village Diana I. Rios and Carolyn A. Lin Section I. Fantasy-Science Fiction, Horror, and Mystery Chapter 1: Luke Cage is Harlem's Captain America: Black Masculinity and Vulnerability in the Marvel Cinematic Universe Graeme John Wilson Chapter 2: Doctor Who's 13th Doctor: Redefining the Female Lead in Science Fiction Television Gwendelyn S. Nisbett and Newly Paul Chapter 3: A Woman in Trouble in Twin Peaks: The Return: Gothic Texts, Magical Technology, and Dreams Within Dreams Joseph Boisvere Chapter 4: Arya and Sansa Stark of HBO's The Game of Thrones: Abuse, Agency, Trauma Survival, and Redefined Destinies Diana I. Rios, Mary Helen Millham, Karin A. Haberlin, and Graciela Quiñones-Rodriguez Chapter 5: The Protagonists of the Fantasy Drama Lost: From Stereotypes to Flexible Identities Jérôme David Section II. Soap Operas and Telenovelas Chapter 6: Pakistan Television Drama Serials and Telenovelas During
Introduction: Television Dramas as Storytellers of Race and Gender for the Global Village Diana I. Rios and Carolyn A. Lin Section I. Fantasy-Science Fiction, Horror, and Mystery Chapter 1: Luke Cage is Harlem's Captain America: Black Masculinity and Vulnerability in the Marvel Cinematic Universe Graeme John Wilson Chapter 2: Doctor Who's 13th Doctor: Redefining the Female Lead in Science Fiction Television Gwendelyn S. Nisbett and Newly Paul Chapter 3: A Woman in Trouble in Twin Peaks: The Return: Gothic Texts, Magical Technology, and Dreams Within Dreams Joseph Boisvere Chapter 4: Arya and Sansa Stark of HBO's The Game of Thrones: Abuse, Agency, Trauma Survival, and Redefined Destinies Diana I. Rios, Mary Helen Millham, Karin A. Haberlin, and Graciela Quiñones-Rodriguez Chapter 5: The Protagonists of the Fantasy Drama Lost: From Stereotypes to Flexible Identities Jérôme David Section II. Soap Operas and Telenovelas Chapter 6: Pakistan Television Drama Serials and Telenovelas During
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