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  • Format: ePub

Thirteen short stories by the legendary author of The Man in the High Castle and other science fiction classics. Philip K. Dick didn't predict the future¿he summoned the desperate bleakness of our present directly from his fevered paranoia. Dick didn't predict the Internet or iPhones or email or 3D printers, but rather he so thoroughly understood human nature that he could already see, even at the advent of the transistor, the way technology would alienate us from each other and from ourselves. He could see us isolated and drifting in our own private realities even before we had plugged in our…mehr

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Produktbeschreibung
Thirteen short stories by the legendary author of The Man in the High Castle and other science fiction classics. Philip K. Dick didn't predict the future¿he summoned the desperate bleakness of our present directly from his fevered paranoia. Dick didn't predict the Internet or iPhones or email or 3D printers, but rather he so thoroughly understood human nature that he could already see, even at the advent of the transistor, the way technology would alienate us from each other and from ourselves. He could see us isolated and drifting in our own private realities even before we had plugged in our ear buds. He could see, even in the earliest days of space exploration, how much of our own existence remained unexplored, and how the great black spaces between people were growing even as our universe was shrinking. Philip K. Dick spent his first three years as a science fiction author writing shorter fiction, and in his lifetime he composed almost 150 short stories, many of which have gone on to be adapted into (slightly watered down) Hollywood blockbusters. Collected here are thirteen of his most Dickian tales, funhouse realities with trap doors and hidden compartments.
Autorenporträt
Philip Kindred Dick (1928 - 1982) was an American writer, who published works mainly belonging to the genre of science fiction. Dick explored philosophical, sociological and political themes in novels with plots dominated by monopolistic corporations, authoritarian governments and altered states of consciousness. His work reflected his personal interest in metaphysics and theology and often drew upon his life experiences in addressing the nature of reality, identity, drug abuse, paranoia, schizophrenia and transcendental experiences.