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Inhaltsangabe
Section I.- Color Perception: An Ongoing Convergence of Reductionism and Phenomenology.- The Logical Form of Biological Objects.- Reconciling Descriptions of Consciousness from Within and from Without.- Nature, Subjectivity and the Life-World: Elements in a Comparative Perspective on Husserl's Ideas II and the Crisis.- Self-Consciousness as Fact, Experience and Value; A Phenomenological Reinterpretation.- Section II.- Intersubjective Parameters of the Life Process.- On the Individual (Who Acts and Experiences?).- Human Projects in the Existential Phenomenology of Sartre.- Krause on the Concept of Gemüt and the Phenomenology of Subjectivity.- Kierkegaard's Amphibolous Conjunction of Joy and Sorrow and his Literary Theory.- Automata in the Looking-Glass: Self-consciousness, Epigenetic Development and Mental Models Theory.- Section III.- Leibniz's Performationism: Between Metaphysics and Biology.- A Temporality of Dasein (Heidegger) and a Time of the Other (Levinas).- The Time of Life and the Time of History.- Phenomenological Approaches in the Life and Cognitive Sciences.- Edelman's Theory of Neuronal Group Selection and Reductionism.- Section IV.- The Significance of Art for Human Life from the Viewpoint of Ontological Aesthetics.- The Aesthetic Potential of the Element of Earth.- Metaphysical Longing.- On the Threshold of Creativity: A Hermeneutic Interpretation of the Myth of Narcissus.- On Philosophy and on Expertise in Philosophy ("Philosophistics")-A Fantastic Narrative.- Music on the Scene of Life of the Next Century.- The Philosophical "Exposure" and "Interpretation" of a Musical Creation.- Seed and Growth: The Art of Teresa Murak.- The Ontology of the Creative Process.- Section V.- Roman Ingarden's Analysis of the Concepts of Truth inLiterature.- Myth, "Thing" and Understanding in Gadamer.- Art and Temporality: Ricoeur's Hermeneutic Approach.- The Literary Work of Art as the Creative Power in Man: On the Margin of Roman Ingarden's Theory of Literary Discourse.- Index of Names.
Section I.- Color Perception: An Ongoing Convergence of Reductionism and Phenomenology.- The Logical Form of Biological Objects.- Reconciling Descriptions of Consciousness from Within and from Without.- Nature, Subjectivity and the Life-World: Elements in a Comparative Perspective on Husserl's Ideas II and the Crisis.- Self-Consciousness as Fact, Experience and Value; A Phenomenological Reinterpretation.- Section II.- Intersubjective Parameters of the Life Process.- On the Individual (Who Acts and Experiences?).- Human Projects in the Existential Phenomenology of Sartre.- Krause on the Concept of Gemüt and the Phenomenology of Subjectivity.- Kierkegaard's Amphibolous Conjunction of Joy and Sorrow and his Literary Theory.- Automata in the Looking-Glass: Self-consciousness, Epigenetic Development and Mental Models Theory.- Section III.- Leibniz's Performationism: Between Metaphysics and Biology.- A Temporality of Dasein (Heidegger) and a Time of the Other (Levinas).- The Time of Life and the Time of History.- Phenomenological Approaches in the Life and Cognitive Sciences.- Edelman's Theory of Neuronal Group Selection and Reductionism.- Section IV.- The Significance of Art for Human Life from the Viewpoint of Ontological Aesthetics.- The Aesthetic Potential of the Element of Earth.- Metaphysical Longing.- On the Threshold of Creativity: A Hermeneutic Interpretation of the Myth of Narcissus.- On Philosophy and on Expertise in Philosophy ("Philosophistics")-A Fantastic Narrative.- Music on the Scene of Life of the Next Century.- The Philosophical "Exposure" and "Interpretation" of a Musical Creation.- Seed and Growth: The Art of Teresa Murak.- The Ontology of the Creative Process.- Section V.- Roman Ingarden's Analysis of the Concepts of Truth inLiterature.- Myth, "Thing" and Understanding in Gadamer.- Art and Temporality: Ricoeur's Hermeneutic Approach.- The Literary Work of Art as the Creative Power in Man: On the Margin of Roman Ingarden's Theory of Literary Discourse.- Index of Names.
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