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'Like Raymond Durgnat's and Charles Barr's exceptional studies of English cinema, Michael Boyce's work combines highly informed and nuanced cultural commentary with elegant close readings of individual films. Boyce offers surprising insights on a great many topics, from the strained rhetoric of accommodation and the beleaguered assertions of resistance dramatized in such 'conservative' films as Brief Encounter and In Which We Serve to the oblique, searching commentary on children displaced from their homes during the war in the adaptations of Dickens novels. Again and again, Boyce overturns received ideas about performers and genres in the austere, post-war environment, and does so in a manner that is witty, self-questioning, and alive to narrative pleasures of every sort.' - George Toles, University of Manitoba