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The first book to examine in depth the visual media presence of the artist from the nineteenth century to the contemporary period
Offers perspectives on a wide range of media from the illustrated press to photography, film to popular media and new media
Relevant to academics and students of art history, media studies, film studies, journalism, history of the press, and sociology

Produktbeschreibung
The first book to examine in depth the visual media presence of the artist from the nineteenth century to the contemporary period

Offers perspectives on a wide range of media from the illustrated press to photography, film to popular media and new media

Relevant to academics and students of art history, media studies, film studies, journalism, history of the press, and sociology


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Rachel Esner is Assistant Professor of Art History at the University of Amsterdam, Netherlands. She is a specialist in nineteenth-century French art and photography. Her research focuses on the artist's studio and the emergence of the artist as a public figure. Among others, she is co-editor of Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean  (2013). Sandra Kisters is Head of Collection and Research at Museum Boijmans Van Beuningen in Rotterdam, Netherlands. Her research focuses on the (self-)representation of the modern artist. Her publications include the edited volume Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean (2013), and The Lure of the Biographical: On the (Self)-Representation of Modern Artists (2017).
Rezensionen
"Esner and Kisters do an excellent job of presenting different artists battling different issues throughout their media careers. A lot like detectives, they piece together all the clues from history to show what happened, and why many of these major events led to the next mediation of the artist. Readers might find themselves asking similar questions throughout each case. ... Overall, anyone's objections to life and media might change after reading this book." (Courtney Patterson, CBQ Communication Booknotes Quarterly, Vol. 51 (1-2), January-June, 2019)