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  • Format: ePub

It all started with a scream in the night.
Then there were blood splatters on the rug.
There was a murder, it seemed, but no corpse.
And two of the hotel's guests went missing.
Which one was the victim, and which one the killer? In the absence of a dead body, could the whole thing be a hoax? Especially as the Manor Hotel was hosting the 'Murder Convention', a periodic gathering of mystery writers. So was this a macabre game or... the perfect crime?
No shortage of candidates to tackle the case, with some guests putting their oar in according to their own pet theory; the police in
…mehr

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Produktbeschreibung
It all started with a scream in the night.

Then there were blood splatters on the rug.

There was a murder, it seemed, but no corpse.

And two of the hotel's guests went missing.

Which one was the victim, and which one the killer? In the absence of a dead body, could the whole thing be a hoax? Especially as the Manor Hotel was hosting the 'Murder Convention', a periodic gathering of mystery writers. So was this a macabre game or... the perfect crime?

No shortage of candidates to tackle the case, with some guests putting their oar in according to their own pet theory; the police in the persons of DS Mundie and DCI Gilford doing the same; and Daisy Hayes, the hotel's resident sleuth, the only one to keep her head cool. She and her husband had to sort the foibles from the facts to uncover the truth.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Nick Aaron is Dutch, but he was born in South Africa (1956), where he attended a British-style boarding school, in Pietersburg, Transvaal. Later he lived in Lausanne (Switzerland), in Rotterdam, Luxembourg and Belgium. He worked for the European Parliament as a printer and proofreader. Currently he's retired and lives in Malines.

Recently, after writing in Dutch and French for many years, the author went back to the language of his mid-century South African childhood. A potential global readership was the incentive; the trigger was the character of Daisy Hayes, who asserted herself in his mind wholly formed.