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Passionate, highly entertaining and gloriously funny - Robert Tressell's classic pre-First World War account of the working lives of a group of housepainters and decorators is vividly adapted by Howard Brenton. The Ragged Trousered Philanthropists recounts the little daily successes and the disasters of a group of working-class men, living under the constant fear of being laid off by employers forever looking for new corners to cut. Both workers and bosses are caught in a system spiralling out of control, but why is it the workers always come out worse? Howard Brenton's stage adaptation, first…mehr
Passionate, highly entertaining and gloriously funny - Robert Tressell's classic pre-First World War account of the working lives of a group of housepainters and decorators is vividly adapted by Howard Brenton. The Ragged Trousered Philanthropists recounts the little daily successes and the disasters of a group of working-class men, living under the constant fear of being laid off by employers forever looking for new corners to cut. Both workers and bosses are caught in a system spiralling out of control, but why is it the workers always come out worse? Howard Brenton's stage adaptation, first performed at the Everyman Theatre in Liverpool in June 2010 in a co-production with Chichester Festival Theatre, lays bare the many social injustices perpetrated on these men whilst capturing their individual characters with touching truth to life.
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Autorenporträt
Howard Brenton, FRSL, is a renowned playwright and author. His many plays include The Ragged Trousered Philanthropists, adapted from the novel by Robert Tressell (Liverpool Everyman and Chichester Festival Theatre, 2010); Anne Boleyn (Shakespeare's Globe, 2010 and 2011); 55 Days (Hampstead Theatre, 2012); #aiww: The Arrest of Ai Weiwei (Hampstead Theatre, 2013); Drawing the Line (Hampstead Theatre, 2013); Doctor Scroggy's War (Shakespeare's Globe, 2014); Lawrence After Arabia (Hampstead Theatre, 2016); The Blinding Light (Jermyn Street Theatre, 2017); The Shadow Factory (NST City, Southampton, 2018); Jude (Hampstead Theatre, 2019); Cancelling Socrates (Jermyn Street Theatre, London, 2022) and Churchill in Moscow (Orange Tree Theatre, Richmond, 2025). He has collaborated severeal times with other writers (e.g., Moscow Gold with Tariq Ali, RSC, 1990), and has adapted various classics, particularly Strindberg's Dances of Death (Gate Theatre, 2013), Miss Julie (Theatre by the Lake, Keswick, and Jermyn Street Theatre, London, 2017), and Creditors (Theatre by the Lake, Keswick, and Jermyn Street Theatre, London, 2019). He has also writtne for the screen, most notably on the BBC1 drama series Spooks (2001-05; BAFTA Best Drama Series, 2003).
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