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This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor,…mehr
This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.
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Autorenporträt
General Editors: Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand Alexa Alice Joubin, Professor of English, George Washington University and Research Affiliate, MIT, USA Guest Editors: Deanne Williams is Professor of English and Theatre Studies at York University Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand
Inhaltsangabe
List of Figures Preface Tom Bishop and Alexa Alice Joubin General Editors List of Contributors Part I: Special Section: Pericles, Prince of Tyre Special Guest Editors: Deanne Williams, York University, and Tom Bishop, University of Auckland 1. Introduction Deanne Williams, York University, and Tom Bishop, University of Auckland 2. Whose Pericles, and Why, and When? Stephen Orgel, Stanford University 3. The Excesses of Romance: Shakespeare's Pericles and the Baroque Robert Hudson Vincent, Harvard University 4. Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist Girlhood Deanne Williams, York University 5. Eater and Eaten, Feeder and Fed: Intercultural Consumption in Pericles Stephen Cohen, Central Connecticut State University 6. Pericles and the Sea of Things Andrew S. Brown, Dalhousie University 7. Pericles and the Primacy of Movement Tonhi Lee, Tufts University 8. "The purchase is to make men glorious": Pericles on the Stuart Court Stage Gabriel Lonsbery, Purdue University 9. Inscribed Props and Daughters in Pericles Bernice Mittertreiner Neal, York University 10. Musicking the Spheres in Pericles Jennifer Linhart Wood, George Mason University 11. Pericles Comes to America Tom Bishop, University of Auckland 12. Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers' Dance in Pericles Linda McJannet, Bentley University 13. Productions of Pericles, Prince of Tyre, 1900-2020: a checklist Tom Bishop, University of Auckland Part Two: Recent Literature Review 14. Intersectional Shakespeare: the State of the Field, 2020-21 Nicole A. Jacobs, California Polytechnic State University Index
List of Figures Preface Tom Bishop and Alexa Alice Joubin General Editors List of Contributors Part I: Special Section: Pericles, Prince of Tyre Special Guest Editors: Deanne Williams, York University, and Tom Bishop, University of Auckland 1. Introduction Deanne Williams, York University, and Tom Bishop, University of Auckland 2. Whose Pericles, and Why, and When? Stephen Orgel, Stanford University 3. The Excesses of Romance: Shakespeare's Pericles and the Baroque Robert Hudson Vincent, Harvard University 4. Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist Girlhood Deanne Williams, York University 5. Eater and Eaten, Feeder and Fed: Intercultural Consumption in Pericles Stephen Cohen, Central Connecticut State University 6. Pericles and the Sea of Things Andrew S. Brown, Dalhousie University 7. Pericles and the Primacy of Movement Tonhi Lee, Tufts University 8. "The purchase is to make men glorious": Pericles on the Stuart Court Stage Gabriel Lonsbery, Purdue University 9. Inscribed Props and Daughters in Pericles Bernice Mittertreiner Neal, York University 10. Musicking the Spheres in Pericles Jennifer Linhart Wood, George Mason University 11. Pericles Comes to America Tom Bishop, University of Auckland 12. Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers' Dance in Pericles Linda McJannet, Bentley University 13. Productions of Pericles, Prince of Tyre, 1900-2020: a checklist Tom Bishop, University of Auckland Part Two: Recent Literature Review 14. Intersectional Shakespeare: the State of the Field, 2020-21 Nicole A. Jacobs, California Polytechnic State University Index
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