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How has the work and legacy of Augusto Boal's Theatre of the Oppressed been interpreted and practised around the world? What does it look like in different working contexts? This book provides an accessible introduction to the political and artistic principles Boal's techniques are founded on, tracking exemplary practice from around the globe. Using detailed contemporary case histories, theatre artist, scholar and activist Ali Campbell demonstrates how the underlying principles of Boal's practice are today enacted in the work of - among others - an urban network (Theatre of the Oppressed NYC);…mehr
How has the work and legacy of Augusto Boal's Theatre of the Oppressed been interpreted and practised around the world? What does it look like in different working contexts? This book provides an accessible introduction to the political and artistic principles Boal's techniques are founded on, tracking exemplary practice from around the globe. Using detailed contemporary case histories, theatre artist, scholar and activist Ali Campbell demonstrates how the underlying principles of Boal's practice are today enacted in the work of - among others - an urban network (Theatre of the Oppressed NYC); a rural and developmental theatre organisation (Jana Sanskriti, West Bengal); Boal's original company CTO Rio (Brazil); and a theatre-based group led by learning-disabled adults in the UK (The Lawnmowers Independent Theatre Company). The book concludes with a series of conversations between Campbell and international exponents of the work, envisioning futures for the Theatre of the Oppressed in the shifting political, educational and artistic contexts of the twenty-first century.
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Autorenporträt
Ali Campbell was trained and mentored by Boal and remains one of the key exponents of the Theatre of the Oppressed working today. He has adapted Boal's techniques of Forum and Image theatre across a broad range of groups and contexts in Europe and Africa. He is Reader in Applied Performance Practice at Queen Mary, University of London, UK.
Inhaltsangabe
Illustrations Acknowledgements Part One: Principles in Practice Prologue Introduction: About Augusto Boal and the Aims of This Book 1. What Is Forum and How Does It Work? 2. Teaching and Training 3. How Do We Adapt Forum? 4. Collaboration 5. Ten Top Tips Part Two: Companies and Conversations Introduction: How These Four Studies Were Created and Why Jana Sanskriti: Field Work Theatre of the Oppressed NYC (TONYC): 'Radically Unsentimental' The Lawnmowers Independent Theatre Company: 'Nurses Jump In. Teachers Don't' CTO Rio: 'Given a Recipe, You Can Go and Do' Part Three: Conversations Introduction: About the People You Will Hear from in This Section Alegna Dezlein Jennifer Little Barbara Santos Osmar Araujo Julian Boal Epilogue: 'From Damascus' Glossary Suggested Reading Index
Illustrations Acknowledgements Part One: Principles in Practice Prologue Introduction: About Augusto Boal and the Aims of This Book 1. What Is Forum and How Does It Work? 2. Teaching and Training 3. How Do We Adapt Forum? 4. Collaboration 5. Ten Top Tips Part Two: Companies and Conversations Introduction: How These Four Studies Were Created and Why Jana Sanskriti: Field Work Theatre of the Oppressed NYC (TONYC): 'Radically Unsentimental' The Lawnmowers Independent Theatre Company: 'Nurses Jump In. Teachers Don't' CTO Rio: 'Given a Recipe, You Can Go and Do' Part Three: Conversations Introduction: About the People You Will Hear from in This Section Alegna Dezlein Jennifer Little Barbara Santos Osmar Araujo Julian Boal Epilogue: 'From Damascus' Glossary Suggested Reading Index
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