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In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference.
In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference.
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Autorenporträt
Eva T.H. Brann is the dean of St. John's College in Maryland.
Inhaltsangabe
Preface Introduction Part I: Philosophy: The Nature of the Imagination Chapter 1: Ancient Writers Chapter 2: Medieval Writers Chapter 3: Modern Writers Chapter 4: Twentieth-Century Writers (with Debates and Developments) Chapter 5: Conclusions: Why an Image-Forming Imagination Should, After All, Be Affirmed Part II: Psychology: The Having of Imagery Chapter 1: Cognitive Science: The Setting of Imagery-Investigations Chapter 2: The Science of Mental Imagery: Cognitive Psychology Chapter 3: The Science of Memory: Storage and Retrieval of Visual Imagery Chapter 4: Children's Imagery Chapter 5: Various Imagery-Topics Chapter 6: The Organs of the Imagination: Eye and Brain Part III: Logic: The Being of Images Chapter 1: Real Images: Real Depictions of Real Objects Chapter 2: Mental Images: Unreal Pictures of Real Objects Chapter 3: Imaginary Images: Unreal Pictures of Unreal Objects Part IV: Literature: The Translation of Imagining Chapter 1: Visions into Words and Words into Vision Chapter 2: Literary Creation: Imagining Apotheosized Chapter 3: Literary Language: Two Figures of Speech Chapter 4: Literary Imagining: Two Genres of Fiction Part V: Depiction: The Theater of Imagining Chapter 1: The Space of Imagining Chapter 2: Thoughtful Space: The Geometry of Imagining Chapter 3: Aesthetic Space: Pictures and Paintings Part VI: The Worldly Imagination: Imaginary and Imaginative Visions Chapter 1: Theology: Contrary Estimations of the Imagination Chapter 2: No-Places and Past Times: Imaginary Worlds Chapter 3: Places and Passions: The Imaginative World Conclusion: Imaginative Projection and Thoughtful Penetration: Transparence and Transcendence Coda: The Life of the Imagination Index
Preface Introduction Part I: Philosophy: The Nature of the Imagination Chapter 1: Ancient Writers Chapter 2: Medieval Writers Chapter 3: Modern Writers Chapter 4: Twentieth-Century Writers (with Debates and Developments) Chapter 5: Conclusions: Why an Image-Forming Imagination Should, After All, Be Affirmed Part II: Psychology: The Having of Imagery Chapter 1: Cognitive Science: The Setting of Imagery-Investigations Chapter 2: The Science of Mental Imagery: Cognitive Psychology Chapter 3: The Science of Memory: Storage and Retrieval of Visual Imagery Chapter 4: Children's Imagery Chapter 5: Various Imagery-Topics Chapter 6: The Organs of the Imagination: Eye and Brain Part III: Logic: The Being of Images Chapter 1: Real Images: Real Depictions of Real Objects Chapter 2: Mental Images: Unreal Pictures of Real Objects Chapter 3: Imaginary Images: Unreal Pictures of Unreal Objects Part IV: Literature: The Translation of Imagining Chapter 1: Visions into Words and Words into Vision Chapter 2: Literary Creation: Imagining Apotheosized Chapter 3: Literary Language: Two Figures of Speech Chapter 4: Literary Imagining: Two Genres of Fiction Part V: Depiction: The Theater of Imagining Chapter 1: The Space of Imagining Chapter 2: Thoughtful Space: The Geometry of Imagining Chapter 3: Aesthetic Space: Pictures and Paintings Part VI: The Worldly Imagination: Imaginary and Imaginative Visions Chapter 1: Theology: Contrary Estimations of the Imagination Chapter 2: No-Places and Past Times: Imaginary Worlds Chapter 3: Places and Passions: The Imaginative World Conclusion: Imaginative Projection and Thoughtful Penetration: Transparence and Transcendence Coda: The Life of the Imagination Index
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