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Offers a unique and detailed account of new narrative temporalities in television drama by adopting a model of "industrial poetics"
Argues that the emergence of new narrative temporalities means that TV drama should be approached through the lens of narrative time
Examines a wide range of narrative temporalities and key texts, including real-time (24), acceleration (Prison Break), non-linear time (Lost), prolepsis (FlashForward), and slowness and retrospection (Mad Men, Rubicon)
Situates US television programmes in a transnational context, and examines contemporary narrative form and the temporal regimes of an increasingly global industry
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Produktbeschreibung
Offers a unique and detailed account of new narrative temporalities in television drama by adopting a model of "industrial poetics"

Argues that the emergence of new narrative temporalities means that TV drama should be approached through the lens of narrative time

Examines a wide range of narrative temporalities and key texts, including real-time (24), acceleration (Prison Break), non-linear time (Lost), prolepsis (FlashForward), and slowness and retrospection (Mad Men, Rubicon)

Situates US television programmes in a transnational context, and examines contemporary narrative form and the temporal regimes of an increasingly global industry


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Autorenporträt
JP Kelly is Lecturer in Television and Digital Media at Royal Holloway College, University of London, UK. He has published original research and reviews in The Conversation, CST Online, The Journal of Popular Communication, The Journal of American Studies and Convergence.