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Traveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic…mehr
Traveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic experience of TikTok to the recent reimaginations of maps and navigation tools through music video cartographies, from the ecofeminist voices mediated by live-stream concerts to the transmedia logic of video games and VR, from the videos' role in contemporary art galleries to their political interventions -the chapters map the ways music video is continually reconfiguring itself. The volume tracks music video's audiovisual itineraries across different geographies, maps its transmedia routes, and tackles the cultural impact that it has on our current media ecosystem.
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Autorenporträt
Tomás Jirsa is Associate Professor of Literary Studies at the Faculty of Arts, Palacký University Olomouc, Czechia. Interested in relations between literature and the visual arts, affect theory, and music video studies, his most recent book is Disformations: Affects, Media, Literature (Bloomsbury, 2021). Mathias Bonde Korsgaard is Associate Professor of Online Video Cultures at School of Communication and Culture, Aarhus University, Denmark. He has published extensively on music video and audiovisual studies, including the book Music Video After MTV (2017). Korsgaard is the editor-in-chief of the Danish online film journal 16:9.
Inhaltsangabe
Introduction Into the Music Video Traffic: Platforms Interventions Extensions (Tomás Jirsa Palacký University Olomouc Czech Republic and Mathias Bonde Korsgaard Aarhus University Denmark) Section 1: Topographies and Interventions 1. For Real? The Cross-Pollination of Music Video and Documentary (Laurel Westrup UCLA USA) 2. Moonwalking "Backwards into the Future": 'Poi E ' Music Video and Documentary (Lisa Perrott University of Waikato New Zealand) 3. Moving Maps into Musical Images: Music Video Mobile Cartographies (Tania Rossetto University of Padua Italy) 4. Rapping a Scandal: The Political Interventions of Central European Music Videos (Tomás Jirsa Palacký University Olomouc Czech Republic) 5. Pop Protest and Transformation: Peter Christopherson's 'Tainted Love' (Emily Caston University of West London UK) Section 2: Extensions and Intersections 6. Art Music Video and the Gallery (Caleb Kelly The University of New South Wales Australia) 7. Ghostly Transmedia: Julian House and Hauntological Audio-Vision (Jamie Sexton Northumbria University UK) 8. Music Video Aesthetics in Live Stream Concerts: Aurora's A Touch of the Divine (Anna-Elena Pääkkölä Åbo Akademi University Finland) 9. Lil Nas X's Hedonistic Travels of Earthly Delights (Zachary Bresler University of Stavanger Norway and Stan Hawkins University of Oslo University of Agder Norway) 10. Miley Cyrus's 'Mother's Daughter' as Intersectional Feminist Activism? (Hanna-Mari Riihimäki University of Turku Finland) Section 3: Platforms and Interfaces 11. Music Videos and Video Games: Radiohead's Kid A Mnesia Exhibition ( Mathias Bonde Korsgaard Aarhus University Denmark) 12. Transmedia and Intertextual Hauntology: Steven Wilson's "Drive Home" and 505 Games' Last Day of June (Lori Burns and Patrick Armstrong University of Ottawa Canada) 13. Music Video's Forays into Online Interactive Concerts: Fortnite's Ariana Grande and Travis Scott Events (Carol Vernallis Stanford University USA) 14. Enacting Virtual Boundaries: Music Video and the Changing Technological Landscape (Eugy Han Stanford University USA and Saul Quintero UCLA USA) 15. Traveling Sounds Embodied Responses: Aesthetic Reflections on TikTok (Berenike Jung University of Southampton UK) Index
Introduction Into the Music Video Traffic: Platforms Interventions Extensions (Tomás Jirsa Palacký University Olomouc Czech Republic and Mathias Bonde Korsgaard Aarhus University Denmark) Section 1: Topographies and Interventions 1. For Real? The Cross-Pollination of Music Video and Documentary (Laurel Westrup UCLA USA) 2. Moonwalking "Backwards into the Future": 'Poi E ' Music Video and Documentary (Lisa Perrott University of Waikato New Zealand) 3. Moving Maps into Musical Images: Music Video Mobile Cartographies (Tania Rossetto University of Padua Italy) 4. Rapping a Scandal: The Political Interventions of Central European Music Videos (Tomás Jirsa Palacký University Olomouc Czech Republic) 5. Pop Protest and Transformation: Peter Christopherson's 'Tainted Love' (Emily Caston University of West London UK) Section 2: Extensions and Intersections 6. Art Music Video and the Gallery (Caleb Kelly The University of New South Wales Australia) 7. Ghostly Transmedia: Julian House and Hauntological Audio-Vision (Jamie Sexton Northumbria University UK) 8. Music Video Aesthetics in Live Stream Concerts: Aurora's A Touch of the Divine (Anna-Elena Pääkkölä Åbo Akademi University Finland) 9. Lil Nas X's Hedonistic Travels of Earthly Delights (Zachary Bresler University of Stavanger Norway and Stan Hawkins University of Oslo University of Agder Norway) 10. Miley Cyrus's 'Mother's Daughter' as Intersectional Feminist Activism? (Hanna-Mari Riihimäki University of Turku Finland) Section 3: Platforms and Interfaces 11. Music Videos and Video Games: Radiohead's Kid A Mnesia Exhibition ( Mathias Bonde Korsgaard Aarhus University Denmark) 12. Transmedia and Intertextual Hauntology: Steven Wilson's "Drive Home" and 505 Games' Last Day of June (Lori Burns and Patrick Armstrong University of Ottawa Canada) 13. Music Video's Forays into Online Interactive Concerts: Fortnite's Ariana Grande and Travis Scott Events (Carol Vernallis Stanford University USA) 14. Enacting Virtual Boundaries: Music Video and the Changing Technological Landscape (Eugy Han Stanford University USA and Saul Quintero UCLA USA) 15. Traveling Sounds Embodied Responses: Aesthetic Reflections on TikTok (Berenike Jung University of Southampton UK) Index
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