The Multi-Sensory Image from Antiquity to the Renaissance
Herausgeber: Hunter-Crawley, Heather; O'Brien, Erica
The Multi-Sensory Image from Antiquity to the Renaissance
Herausgeber: Hunter-Crawley, Heather; O'Brien, Erica
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This volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches
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					This volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches				
				Produktdetails
					- Produktdetails
 - Verlag: Routledge
 - Seitenzahl: 208
 - Erscheinungstermin: 20. Dezember 2018
 - Englisch
 - Abmessung: 240mm x 161mm x 16mm
 - Gewicht: 482g
 - ISBN-13: 9781138698130
 - ISBN-10: 113869813X
 - Artikelnr.: 55045158
 
- Herstellerkennzeichnung
 - Libri GmbH
 - Europaallee 1
 - 36244 Bad Hersfeld
 - gpsr@libri.de
 
- Verlag: Routledge
 - Seitenzahl: 208
 - Erscheinungstermin: 20. Dezember 2018
 - Englisch
 - Abmessung: 240mm x 161mm x 16mm
 - Gewicht: 482g
 - ISBN-13: 9781138698130
 - ISBN-10: 113869813X
 - Artikelnr.: 55045158
 
- Herstellerkennzeichnung
 - Libri GmbH
 - Europaallee 1
 - 36244 Bad Hersfeld
 - gpsr@libri.de
 
Dr Heather Hunter-Crawley has held research and teaching posts at the University of Bristol and Swansea University. She is an independent researcher specialising in the religious art of Roman and late antiquity, and the author of numerous articles on ancient Christianity, Roman religion, and the senses. Dr Erica O'Brien teaches at the University of Bristol. She has also taught at the University of Wales Trinity Saint David and has held a Frances A. Yates Short-term Research Fellowship at the Warburg Institute. She is interested in the depiction of sensory experience in late medieval devotional portraits. Her current research is on two manuscripts that belonged to Margaret of York, the Duchess of Burgundy from 1468 to 1477.
	List of Figures
List of Tables
Preface
Abbreviations
Notes on Contributors
Chapter 1 "Introduction: The Image and the Senses"
Heather Hunter-Crawley & Erica O'Brien
Chapter 2 "Seeing is (not) Believing: Visual and Non-Visual Interpretations
of Aegean Bronze Age Frescoes"
Jo Day
Chapter 3 "Multi-sensory Encounters: The Aesthetic Impact of Roman Coloured
Statues"
Amalie Skovmøller and Berit Hildebrandt
Chapter 4 "Painting as Sermon: The Role of the Visual in Catechism in Late
Fourth-Century Christian Orations"
Despoina Lampada
Chapter 5 "Experiencing the Miracle: Animated Images and the Senses in the
Burial Chapel of the Byzantine Saint"
Dimitra Kotoula
Chapter 6 "Engaging the Olfactory: Scent in the Arts, Cultures, and Museums
of the Islamic World"
Claire Dobbin and Leslee Katrina Michelsen
Chapter 7 "The Vocal in the Visual: Auditory Issues and the Potential of
the Voice in Late Medieval and Early Modern Visual Art"
Daniela Wagner
Chapter 8 "'Pictures with Light and Motion': The Language of the Senses in
The Masque of Flowers"
Caterina Guardini
Afterword "The Multi-sensory Image Between Interdisciplinarity and
Multi-media"
François Quiviger
Index
	List of Tables
Preface
Abbreviations
Notes on Contributors
Chapter 1 "Introduction: The Image and the Senses"
Heather Hunter-Crawley & Erica O'Brien
Chapter 2 "Seeing is (not) Believing: Visual and Non-Visual Interpretations
of Aegean Bronze Age Frescoes"
Jo Day
Chapter 3 "Multi-sensory Encounters: The Aesthetic Impact of Roman Coloured
Statues"
Amalie Skovmøller and Berit Hildebrandt
Chapter 4 "Painting as Sermon: The Role of the Visual in Catechism in Late
Fourth-Century Christian Orations"
Despoina Lampada
Chapter 5 "Experiencing the Miracle: Animated Images and the Senses in the
Burial Chapel of the Byzantine Saint"
Dimitra Kotoula
Chapter 6 "Engaging the Olfactory: Scent in the Arts, Cultures, and Museums
of the Islamic World"
Claire Dobbin and Leslee Katrina Michelsen
Chapter 7 "The Vocal in the Visual: Auditory Issues and the Potential of
the Voice in Late Medieval and Early Modern Visual Art"
Daniela Wagner
Chapter 8 "'Pictures with Light and Motion': The Language of the Senses in
The Masque of Flowers"
Caterina Guardini
Afterword "The Multi-sensory Image Between Interdisciplinarity and
Multi-media"
François Quiviger
Index
List of Figures
List of Tables
Preface
Abbreviations
Notes on Contributors
Chapter 1 "Introduction: The Image and the Senses"
Heather Hunter-Crawley & Erica O'Brien
Chapter 2 "Seeing is (not) Believing: Visual and Non-Visual Interpretations
of Aegean Bronze Age Frescoes"
Jo Day
Chapter 3 "Multi-sensory Encounters: The Aesthetic Impact of Roman Coloured
Statues"
Amalie Skovmøller and Berit Hildebrandt
Chapter 4 "Painting as Sermon: The Role of the Visual in Catechism in Late
Fourth-Century Christian Orations"
Despoina Lampada
Chapter 5 "Experiencing the Miracle: Animated Images and the Senses in the
Burial Chapel of the Byzantine Saint"
Dimitra Kotoula
Chapter 6 "Engaging the Olfactory: Scent in the Arts, Cultures, and Museums
of the Islamic World"
Claire Dobbin and Leslee Katrina Michelsen
Chapter 7 "The Vocal in the Visual: Auditory Issues and the Potential of
the Voice in Late Medieval and Early Modern Visual Art"
Daniela Wagner
Chapter 8 "'Pictures with Light and Motion': The Language of the Senses in
The Masque of Flowers"
Caterina Guardini
Afterword "The Multi-sensory Image Between Interdisciplinarity and
Multi-media"
François Quiviger
Index
				List of Tables
Preface
Abbreviations
Notes on Contributors
Chapter 1 "Introduction: The Image and the Senses"
Heather Hunter-Crawley & Erica O'Brien
Chapter 2 "Seeing is (not) Believing: Visual and Non-Visual Interpretations
of Aegean Bronze Age Frescoes"
Jo Day
Chapter 3 "Multi-sensory Encounters: The Aesthetic Impact of Roman Coloured
Statues"
Amalie Skovmøller and Berit Hildebrandt
Chapter 4 "Painting as Sermon: The Role of the Visual in Catechism in Late
Fourth-Century Christian Orations"
Despoina Lampada
Chapter 5 "Experiencing the Miracle: Animated Images and the Senses in the
Burial Chapel of the Byzantine Saint"
Dimitra Kotoula
Chapter 6 "Engaging the Olfactory: Scent in the Arts, Cultures, and Museums
of the Islamic World"
Claire Dobbin and Leslee Katrina Michelsen
Chapter 7 "The Vocal in the Visual: Auditory Issues and the Potential of
the Voice in Late Medieval and Early Modern Visual Art"
Daniela Wagner
Chapter 8 "'Pictures with Light and Motion': The Language of the Senses in
The Masque of Flowers"
Caterina Guardini
Afterword "The Multi-sensory Image Between Interdisciplinarity and
Multi-media"
François Quiviger
Index







