This collection convenes diverse analyses of David Lynch's newly conceived, dreamlike neo-noir representations of the American West, a first in studies of regionalism and indigeneity in his films. Twelve essays and three interviews address Lynch's image of the American West and its impact on the genre. Fans and scholars of David Lynch's work will find a study of his interpretations of the West as place and myth, spanning from his first feature film, Eraserhead (1977), through the third season of Twin Peaks in 2017. Symbols of the West in Lynch's work can be as obvious as an Odessa, Texas…mehr
This collection convenes diverse analyses of David Lynch's newly conceived, dreamlike neo-noir representations of the American West, a first in studies of regionalism and indigeneity in his films. Twelve essays and three interviews address Lynch's image of the American West and its impact on the genre. Fans and scholars of David Lynch's work will find a study of his interpretations of the West as place and myth, spanning from his first feature film, Eraserhead (1977), through the third season of Twin Peaks in 2017. Symbols of the West in Lynch's work can be as obvious as an Odessa, Texas street sign or as subtle as the visual themes rooted in indigenous artistry. Explorations of cowboy masculinity, violence, modern frontier narratives and representations of indigeneity are all included in this collection.
Rob E. King is an associate librarian at Texas Tech University's Southwest Collection/Special Collections Library and a doctoral student in English at Texas Tech University. He has contributed to 25YL, Blue Rose Magazine, Twin Peaks Unwrapped podcast and published in New American Notes Online and the West Texas Historical Review.
Inhaltsangabe
Table of Contents Acknowledgments Foreword: A Long Way from the World: David Lynch and the American West John Thorne Introduction Rob E. King, Christine Self and Robert G. Weaver Part I: Regionalism Considering Regionalism in the Films of David Lynch: An Interview with Andréas Halskov Rob E. King "To the hellhole it is now": The Pastoral and Industrialization in Eraserhead Fernando Gabriel Pagnoni Berns Watch and Listen to the Dream of Time and Space: Historiography, Geography and Twin Peaks Rebecca Heimel The Wood for the Trees: Regional and Anthropocene Signals in the Pacific Northwest Forests of Twin Peaks Andy Hageman Dark Americana: Identity, Frontiers and Heterotopias in David Lynch's Dreams Marko Luki¿ Part II: Indigeneity and Representation A Discussion on the Treatment of Indigeneity in Twin Peaks: An Interview with Geoff Rob E. King "It has something to do with your heritage": Indigenous Arts in Twin Peaks David Titterington "Very old, but always current": Indigenous Geographies in Twin Peaks Garrett Wayne Wright "I am the FBI": American Identity in Twin Peaks Molly O'Gorman Part III: Road Narrative and Genre Thoughts on the American Southwest in Film and Television: An Interview with Monica Montelongo Flores Rob E. King Once Upon a Time in Rancho Rosa: Reading Twin Peaks Season 3 as a Neo-Western Franck Boulègue and Marisa C. Hayes I'm Going West, Diane: Masculinity and the Cowboy Archetype in the Works of David Lynch Andrew T. Burt David Lynch's Desert Frontier: Road Movie, Desert Horror and Western Liminality Thomas Britt The Western Road as Metaphor for American Instability in David Lynch's Lost Highway Mark Henderson Re-Imagined West in the L.A. Trilogy: A Heritage of California Fiction and American Trauma Rob E. King Appendix: Character and Actor Guide for David Lynch Films in This Collection About the Contributors Index
Table of Contents Acknowledgments Foreword: A Long Way from the World: David Lynch and the American West John Thorne Introduction Rob E. King, Christine Self and Robert G. Weaver Part I: Regionalism Considering Regionalism in the Films of David Lynch: An Interview with Andréas Halskov Rob E. King "To the hellhole it is now": The Pastoral and Industrialization in Eraserhead Fernando Gabriel Pagnoni Berns Watch and Listen to the Dream of Time and Space: Historiography, Geography and Twin Peaks Rebecca Heimel The Wood for the Trees: Regional and Anthropocene Signals in the Pacific Northwest Forests of Twin Peaks Andy Hageman Dark Americana: Identity, Frontiers and Heterotopias in David Lynch's Dreams Marko Luki¿ Part II: Indigeneity and Representation A Discussion on the Treatment of Indigeneity in Twin Peaks: An Interview with Geoff Rob E. King "It has something to do with your heritage": Indigenous Arts in Twin Peaks David Titterington "Very old, but always current": Indigenous Geographies in Twin Peaks Garrett Wayne Wright "I am the FBI": American Identity in Twin Peaks Molly O'Gorman Part III: Road Narrative and Genre Thoughts on the American Southwest in Film and Television: An Interview with Monica Montelongo Flores Rob E. King Once Upon a Time in Rancho Rosa: Reading Twin Peaks Season 3 as a Neo-Western Franck Boulègue and Marisa C. Hayes I'm Going West, Diane: Masculinity and the Cowboy Archetype in the Works of David Lynch Andrew T. Burt David Lynch's Desert Frontier: Road Movie, Desert Horror and Western Liminality Thomas Britt The Western Road as Metaphor for American Instability in David Lynch's Lost Highway Mark Henderson Re-Imagined West in the L.A. Trilogy: A Heritage of California Fiction and American Trauma Rob E. King Appendix: Character and Actor Guide for David Lynch Films in This Collection About the Contributors Index
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