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The first book to deal with the subject of Ezra Pound's relationships with Japanese literature as a whole, this book provides a wealth of new scholarship on this subject, including on the 19th-century Japanese contexts that led to Pound's interest in 'hokku' and Fenollosa's No translations on which Pound based his own; significant original research on Pound's Japanese friendships that enriched his understanding of Japanese literature; and an examination of all the explicit references to No in The Cantos in unprecedented depth. It demonstrates that the works for which Ezra Pound is most famous,…mehr
The first book to deal with the subject of Ezra Pound's relationships with Japanese literature as a whole, this book provides a wealth of new scholarship on this subject, including on the 19th-century Japanese contexts that led to Pound's interest in 'hokku' and Fenollosa's No translations on which Pound based his own; significant original research on Pound's Japanese friendships that enriched his understanding of Japanese literature; and an examination of all the explicit references to No in The Cantos in unprecedented depth. It demonstrates that the works for which Ezra Pound is most famous, such as 'In a Station of the Metro' and his epic poem, The Cantos, were shaped by his lifelong interest in Japanese literature.
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Autorenporträt
Andrew Houwen is Associate Professor at Tokyo Woman's Christian University, Japan.
Inhaltsangabe
Acknowledgements Abbreviations Note on the Text Introduction 1 Ezra Pound's Japan Part 1: Pound and Hokku 2 Herbert Spencer's 'Minor Image', Masaoka Shiki, and the Meiji Reinvention of Haiku 3 Symphonies in White: Basil Hall Chamberlain and the Introduction of ' Hokku' into English 4 Pound's '"Metro" Hokku' Part 2: Pound and No 5 'Nobody Thought No Would Rise Again': Umewaka Minoru and the Meiji Revival of No 6 Ernest Fenollosa's 'Single Image' and the Introduction of No into English 7 'One of the Great Arts of the World': Pound's First No Translations 8 'Growing Together': Pound's Japanese Friends, No, and the Genesis of The Cantos 9 'The Closest Parallel to My Thought': Pound's No Plays and Accomplishments Part 3: No and The Cantos 10 'Grow with the Pines of Ise': Pound's Early Cantos and No 11 'A Treasure Like Nothing We Have in the Occident': Pound's Wartime Cantos and No 12 'The Light Sings Eternal': No's Place in the Paradiso of Pound's Later Cantos Bibliography Index of (Published) Works by Pound Index of Names
Acknowledgements Abbreviations Note on the Text Introduction 1 Ezra Pound's Japan Part 1: Pound and Hokku 2 Herbert Spencer's 'Minor Image', Masaoka Shiki, and the Meiji Reinvention of Haiku 3 Symphonies in White: Basil Hall Chamberlain and the Introduction of ' Hokku' into English 4 Pound's '"Metro" Hokku' Part 2: Pound and No 5 'Nobody Thought No Would Rise Again': Umewaka Minoru and the Meiji Revival of No 6 Ernest Fenollosa's 'Single Image' and the Introduction of No into English 7 'One of the Great Arts of the World': Pound's First No Translations 8 'Growing Together': Pound's Japanese Friends, No, and the Genesis of The Cantos 9 'The Closest Parallel to My Thought': Pound's No Plays and Accomplishments Part 3: No and The Cantos 10 'Grow with the Pines of Ise': Pound's Early Cantos and No 11 'A Treasure Like Nothing We Have in the Occident': Pound's Wartime Cantos and No 12 'The Light Sings Eternal': No's Place in the Paradiso of Pound's Later Cantos Bibliography Index of (Published) Works by Pound Index of Names
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