Comparing the verbal images of the book of Revelation to the visual rhetoric and images of Asia Minor, Andrew R. Guffey argues that Revelation is to be "seen" and not just read. By engaging Revelation as a visual text, Guffey reinserts it into the visual culture of early Christianity.
Comparing the verbal images of the book of Revelation to the visual rhetoric and images of Asia Minor, Andrew R. Guffey argues that Revelation is to be "seen" and not just read. By engaging Revelation as a visual text, Guffey reinserts it into the visual culture of early Christianity.
Andrew R. Guffey is visiting instructor of New Testament at the Lutheran School of Theology at Chicago.
Inhaltsangabe
Chapter 1. Apocalyptic Images Beyond the Verbal-Visual Opposition Chapter 2. The Image and the Pictorial Turn Chapter 3. Rhetoric and the Book of Revelation Chapter 4. Ancient Ekphrasis Chapter 5. Ekphrastic Analogues in John's Apocalypse Chapter 6. In the Image of the Emperor? Chapter 7. The Great "Altar" of Pergamon and the Divine Throne Room Chapter 8. Queen of Heaven
Chapter 1. Apocalyptic Images Beyond the Verbal-Visual Opposition Chapter 2. The Image and the Pictorial Turn Chapter 3. Rhetoric and the Book of Revelation Chapter 4. Ancient Ekphrasis Chapter 5. Ekphrastic Analogues in John's Apocalypse Chapter 6. In the Image of the Emperor? Chapter 7. The Great "Altar" of Pergamon and the Divine Throne Room Chapter 8. Queen of Heaven
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