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The only encyclopedic and definitive book on American indie metal! If all you know about metal music was what was heard on commercial radio, then you don't know metal at all. Heroes of the Underground profiles 600 American bands from every town and city in the United States who ever released a record. Metal bands exploded during the 1980s. Influenced by the heavy sounds coming out of Britain via Judas Priest and Iron Maiden, young guitar shredders turned the amps up and played harder and faster. American record companies scooped up a few bands and signed them to…mehr
The only encyclopedic and
definitive book on American indie metal!
If all you know about metal music was what was heard on commercial
radio, then you don't know metal at all. Heroes of the Underground profiles 600
American bands from every town and city in the United States who ever released
a record.
Metal bands
exploded during the 1980s. Influenced by the heavy sounds coming out of Britain
via Judas Priest and Iron Maiden, young guitar shredders turned the amps up and
played harder and faster. American record companies scooped up a few bands and
signed them to major label recording deals (Metallica, Slayer, Anthrax), but
that left hundreds of bandsand their fanstrying to get their songs heard.
These intrepid
metal bands borrowed a page from punk's DIY handbook and did it themselves.
Regional favorites. Hometown heroes. Tour van veterans. Bands who invested
their life savings into recording and pressing their songs onto albums for a
shot at immortality on vinyl.
Fans remember these
bands with joy. Collectors seek these records like the Holy Grail. And in Heroes
of the Metal Underground, author Alex Anesiadis compiles the details of these bands
and their records. Whether you're a true or baby metalhead, Heroes of the Metal Underground will become your guide to all things metal.
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Autorenporträt
Alexandros Anesiadis was born in 1981 in Thessaloniki, Greece, and is now living between London and Greece. He's finishing his Ph.D. in Media and Communications while working on all things Social Media. He describes himself as a manic record collector, trying to get his hands on releases by bands that not many have a clue about. His previous books, Crossover The Edge and We Can Be The New Wind, document punk and hybrid punk-metal bands. Alex loves going to small club gigs, traveling the world, and attempting to keep his daughter and his partner happy!
Inhaltsangabe
Contents Foreword Introduction A small piece on the history of independent/private US metal East Coast M.C. Blade Street Child Heathen’s Rage Tantrum The Rods Exxplorer M-16 Hades Murder Suite Blacksmith Siren Alias Stryker Dead Serios Rhed Asphalt Odyssey Aragon Weapon Fantom Warior Alias Mangler Rockkit Asylum Leather Nunn Purgatory Breaker White Boy And The Average Rat Band Chalice Arch Rival Rosie Slammer Ruffkut Deuce Intrüder Titanic Arthur’s Museum Vikron Black Diamond (NY) DarkStarr Strange Flesh Black Virgin Dagger Knightmare Kryst The Conqueror Oblivion Kill Van Kull Damien (NY) Stonehenge X-Caliber Savage Thrust Voyeur Hammers Rule Spectral Incursion Resless MX West Coast Ruffians Cirith Ungol Brocas Helm Gotham Traveler Child Saint Traitor Taist of Iron Soldier (San Francisco) Valor Hammer Head Snow Childz Play Suspicion Emerald Villain Razormaid Air Raid Wombat Shadow (Kennewick, Washington) Shadow (Seattle, Washington) Assassin (San Diego) Elysian The RH Factor Prowler (San Diego) Paladin Hans Naughty Childhood’s End Prophecy (Montana) Diamond Claw Xcursion Victim Sacred Rite Central and rest of US Black Task Medieval Steel Assassin Sinister Angel Halloween Gunner Outrage Centurion Destroyer Dover Trench Slayer Roc Lochner Ashbury Wyzdom Nineteen Winterhawk Ivory Tiger Hammeron Decoy Paris Fury Carnage (South Carolina) Dead Silence Axxe Tyrant’s Reign Xcel Iron Cross Winterkat Mania Nightchild Prowler (Santa Fe, NM) Militia Unleashed Hammer Witch Dungeon Commandment Crowhaven Steel Vengeance Pendulum Rude Awakening Afterword: Never forget the warriors
Contents Foreword Introduction A small piece on the history of independent/private US metal East Coast M.C. Blade Street Child Heathen’s Rage Tantrum The Rods Exxplorer M-16 Hades Murder Suite Blacksmith Siren Alias Stryker Dead Serios Rhed Asphalt Odyssey Aragon Weapon Fantom Warior Alias Mangler Rockkit Asylum Leather Nunn Purgatory Breaker White Boy And The Average Rat Band Chalice Arch Rival Rosie Slammer Ruffkut Deuce Intrüder Titanic Arthur’s Museum Vikron Black Diamond (NY) DarkStarr Strange Flesh Black Virgin Dagger Knightmare Kryst The Conqueror Oblivion Kill Van Kull Damien (NY) Stonehenge X-Caliber Savage Thrust Voyeur Hammers Rule Spectral Incursion Resless MX West Coast Ruffians Cirith Ungol Brocas Helm Gotham Traveler Child Saint Traitor Taist of Iron Soldier (San Francisco) Valor Hammer Head Snow Childz Play Suspicion Emerald Villain Razormaid Air Raid Wombat Shadow (Kennewick, Washington) Shadow (Seattle, Washington) Assassin (San Diego) Elysian The RH Factor Prowler (San Diego) Paladin Hans Naughty Childhood’s End Prophecy (Montana) Diamond Claw Xcursion Victim Sacred Rite Central and rest of US Black Task Medieval Steel Assassin Sinister Angel Halloween Gunner Outrage Centurion Destroyer Dover Trench Slayer Roc Lochner Ashbury Wyzdom Nineteen Winterhawk Ivory Tiger Hammeron Decoy Paris Fury Carnage (South Carolina) Dead Silence Axxe Tyrant’s Reign Xcel Iron Cross Winterkat Mania Nightchild Prowler (Santa Fe, NM) Militia Unleashed Hammer Witch Dungeon Commandment Crowhaven Steel Vengeance Pendulum Rude Awakening Afterword: Never forget the warriors
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