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Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture.

Produktbeschreibung
Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture.
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Autorenporträt
Anna Arabindan-Kesson is Assistant Professor of Black Diaspora Art at Princeton University.