Introduction Montpellier 8: Anatomy of... Mark Everist A palaeographical analysis of the verbal text in Montpellier 8: problems, implications, opportunities Sean Curran The style and iconography of Mo folio 350 Alison Stones The decoration of Montpellier Fascicle 8: its place in the continuum of Parisian manuscript illumination Rebecca Baltzer Double motet layouts in the Montpellier Codex and contemporaneous Libri motetorum Oliver Huck Deus in adiutorium revisited: sources and contexts Eva M. Maschke Thematic clusters and compilational strategies in Mo 8 Anna Kathryn Grau Texture, rhythm, and stylistic groupings in Montpellier's eighth fascicle motets Karen Desmond 'Je le temoin en mon chant': The art of diminution in the Petronian triplum David Maw How rhythmically innovative is the eighth fascicle of the Montpellier Codex? Mary Wolinski Re presentation in the Ars antiqua: from chant to polyphony Solomon Guhl Miller '[.] Que ne dit "cief bien seans"': Quoting Motets in Mo 8 Anne Ibos Augé Montpellier, Fascicle 8 PORTARE Motets and tonal exploration Dolores Pesce Repetitions, rhythmical evolution, and rhetoric in the Montpellier Codex Margaret Dobby Shedding light on Mo 8,304: Alma virgo virginum/Benedicta es, Maria Rachel Davies A performance and reception history of On parole/A Paris/FRESE NOUVELE Edward George Breen
Introduction Montpellier 8: Anatomy of... Mark Everist A palaeographical analysis of the verbal text in Montpellier 8: problems, implications, opportunities Sean Curran The style and iconography of Mo folio 350 Alison Stones The decoration of Montpellier Fascicle 8: its place in the continuum of Parisian manuscript illumination Rebecca Baltzer Double motet layouts in the Montpellier Codex and contemporaneous Libri motetorum Oliver Huck Deus in adiutorium revisited: sources and contexts Eva M. Maschke Thematic clusters and compilational strategies in Mo 8 Anna Kathryn Grau Texture, rhythm, and stylistic groupings in Montpellier's eighth fascicle motets Karen Desmond 'Je le temoin en mon chant': The art of diminution in the Petronian triplum David Maw How rhythmically innovative is the eighth fascicle of the Montpellier Codex? Mary Wolinski Re presentation in the Ars antiqua: from chant to polyphony Solomon Guhl Miller '[.] Que ne dit "cief bien seans"': Quoting Motets in Mo 8 Anne Ibos Augé Montpellier, Fascicle 8 PORTARE Motets and tonal exploration Dolores Pesce Repetitions, rhythmical evolution, and rhetoric in the Montpellier Codex Margaret Dobby Shedding light on Mo 8,304: Alma virgo virginum/Benedicta es, Maria Rachel Davies A performance and reception history of On parole/A Paris/FRESE NOUVELE Edward George Breen
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