Introduction Matthew Sergeant and Michelle Phillips Part I. Experiences 1.
Music Listening and the Perception of Time: The LEMI Model Michelle
Phillips 2. The Remembrance of Things to Be: An Approach to Memory,
Repetition, and Cyclical Structures Bryn Harrison 3. An Overview of the
Psychology of Time Perception Luke A. Jones 4. The Perceptual Present and
the Philosophical Puzzle of Musical Experience Abigail Connor and Joel
Smith Part II. Enactments 5. Ensemble Timing in String Quartets Alan Wing,
Maria Witek, Ryan Stables, and Adrian Bradbury 6. Midway Ambiguities:
Disorientation and Interpretation in Long-Duration Music Philip Thomas 7.
Live Coding as a Theatre of Agency and a Factory of Time Alejandro Franco
Briones Part III. Meanings 8. Comparing Temporal Fictions in Tonality and
Triadic Post-Tonality: Chopin's Fourth Ballade as a Link Between the Ages
Jason Noble 9. Nothing Really Changes': Material Processes in and as Timein
hearmleoþ-gieddunga Lauren Redhead 10. Music, Time, and Society Matthew
Sergeant Conclusion: Multiplicity, Fluidity, Fragility Michelle Phillips
and Matthew Sergeant Bibliography Index
