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Based on the author's thesis (doctoral)--Oxford University, 2000.
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Produktdetails
- Produktdetails
- Verlag: Oxford University Press (UK)
- Seitenzahl: 274
- Erscheinungstermin: 8. Juli 2010
- Englisch
- Abmessung: 216mm x 140mm x 20mm
- Gewicht: 499g
- ISBN-13: 9780199252527
- ISBN-10: 0199252521
- Artikelnr.: 31891639
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Oxford University Press (UK)
- Seitenzahl: 274
- Erscheinungstermin: 8. Juli 2010
- Englisch
- Abmessung: 216mm x 140mm x 20mm
- Gewicht: 499g
- ISBN-13: 9780199252527
- ISBN-10: 0199252521
- Artikelnr.: 31891639
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Faith Binckes currently holds a lectureship in English at Brasenose College, Oxford, and has previously held an AHRC-funded research associateship in the English Faculty, Oxford University. Her research interests are in periodical culture, gender and writing, and art and literature in the late nineteenth and twentieth centuries. She is currently collaborating on a study of Irish author and journalist Hannah Lynch, and researching a project on women artists and writers and institutions of prestige from the end of the First World War until the Festival of Britain.
* Introduction: Little magazines: modernism in miniature?
* 1: Textual investments and publishing fields
* 2: Networks of difference: Rhythm and the avant-garde, 1911-1912
* 3: "Cette belle allure indépendante ": tradition, France, and the
Fantaisistes
* 4: "The type of people one can't stand ": Murry, Mansfield, modernism
* 5: Being graphic: Post-Impression, reproduction, and the Rhythmists
* 6: Sailing the "Blue Sieve ": Rhythm, the Blue Review and the
Georgians
* Conclusion: afterlives and the Signature
* 1: Textual investments and publishing fields
* 2: Networks of difference: Rhythm and the avant-garde, 1911-1912
* 3: "Cette belle allure indépendante ": tradition, France, and the
Fantaisistes
* 4: "The type of people one can't stand ": Murry, Mansfield, modernism
* 5: Being graphic: Post-Impression, reproduction, and the Rhythmists
* 6: Sailing the "Blue Sieve ": Rhythm, the Blue Review and the
Georgians
* Conclusion: afterlives and the Signature
* Introduction: Little magazines: modernism in miniature?
* 1: Textual investments and publishing fields
* 2: Networks of difference: Rhythm and the avant-garde, 1911-1912
* 3: "Cette belle allure indépendante ": tradition, France, and the
Fantaisistes
* 4: "The type of people one can't stand ": Murry, Mansfield, modernism
* 5: Being graphic: Post-Impression, reproduction, and the Rhythmists
* 6: Sailing the "Blue Sieve ": Rhythm, the Blue Review and the
Georgians
* Conclusion: afterlives and the Signature
* 1: Textual investments and publishing fields
* 2: Networks of difference: Rhythm and the avant-garde, 1911-1912
* 3: "Cette belle allure indépendante ": tradition, France, and the
Fantaisistes
* 4: "The type of people one can't stand ": Murry, Mansfield, modernism
* 5: Being graphic: Post-Impression, reproduction, and the Rhythmists
* 6: Sailing the "Blue Sieve ": Rhythm, the Blue Review and the
Georgians
* Conclusion: afterlives and the Signature