This book is an interdisciplinary study that traces the commerce–art–politics nexus of Hong Kong cinema from 2000 to 2020. Fangyu Chen investigates the current nascent generation of film workers who joined the industry as it gradually entered an era marked by the domination of Hong Kong/mainland co-productions.
This book is an interdisciplinary study that traces the commerce–art–politics nexus of Hong Kong cinema from 2000 to 2020. Fangyu Chen investigates the current nascent generation of film workers who joined the industry as it gradually entered an era marked by the domination of Hong Kong/mainland co-productions.
Table of Contents Preface: The Genesis of the Book Acknowledgments Introduction Part I: The Post-2000 Nascent Generation of Filmmakers in Hong Kong Chapter 1 - Framework and Research Scope Elucidated Chapter 2 - Getting to Know Them: Nascent Filmmakers and Their Works Chapter 3 - Two Generations of Filmmakers: A Generational Tug-of-War Chapter 4 - Causes, Questionings, and Speaking of Hong Kong Cinemas in the Plural Part II: Nascent Film Workers and Their Work in Post-2000 Hong Kong Chapter 5 - Creative Labour and Hong Kong Film Labour Market after 2000 Chapter 6 - Unions, Film Education and Female Filmmakers in the Post-2000 Hong Kong Chapter 7 - Under the shade of China: Hong Kong Cinema's Extra Dimensions of Precarity Part III: Post-Handover Film Policy in Hong Kong Chapter 8 - Cultural Policy Revisited and Four Contradictions in Film Policy Making Chapter 9 - Film Policy Here and There: Filmic Dynamics Between Hong Kong and Mainland China Conclusion: Hong Kong Cinema Facing Incre
Table of Contents Preface: The Genesis of the Book Acknowledgments Introduction Part I: The Post-2000 Nascent Generation of Filmmakers in Hong Kong Chapter 1 - Framework and Research Scope Elucidated Chapter 2 - Getting to Know Them: Nascent Filmmakers and Their Works Chapter 3 - Two Generations of Filmmakers: A Generational Tug-of-War Chapter 4 - Causes, Questionings, and Speaking of Hong Kong Cinemas in the Plural Part II: Nascent Film Workers and Their Work in Post-2000 Hong Kong Chapter 5 - Creative Labour and Hong Kong Film Labour Market after 2000 Chapter 6 - Unions, Film Education and Female Filmmakers in the Post-2000 Hong Kong Chapter 7 - Under the shade of China: Hong Kong Cinema's Extra Dimensions of Precarity Part III: Post-Handover Film Policy in Hong Kong Chapter 8 - Cultural Policy Revisited and Four Contradictions in Film Policy Making Chapter 9 - Film Policy Here and There: Filmic Dynamics Between Hong Kong and Mainland China Conclusion: Hong Kong Cinema Facing Incre
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