Farshad SonboldelThe Rebellion of Forms in Modern Persian Poetry
Politics of Poetic Experimentation
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Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 232
- Erscheinungstermin: 21. August 2025
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 454g
- ISBN-13: 9798765103586
- Artikelnr.: 74034146
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Farshad Sonboldel is the World History and Cultures Librarian at the University of California, San Diego, USA. He is also the editor-in-chief for MELA Notes (Journal of the Middle East Librarians' Association), deputy editor for the Journal of Iranian Studies, and an award-winning poet, writer, literary critic, and researcher in Persian. He earned his Ph.D. in Modern Languages from the University of St. Andrews, UK, and a Master's in Persian Language and Literature from the University of Tehran, Iran. He is also an award-winning poet, writer, literary critic, and researcher in Persian. He has published four books in Persian, two selections of poems titled Metropolis (2015) and She'r-e Boland-e Sharayet (2019), a research monograph, Gozaresh-e Nahib-e Jonbesh-e Adabi-e Shahin: Tondar Kia (2016) about the works of an avant-garde Persian poet in the first half of the 20th century, and an edited volume on the current trends of the literary criticism in Persian literature titled Naqd-e Irad (2021).
Acknowledgements
A Note on Transliteration
Introduction
- Methodology and Key Theories
- Study Framework
- Research Contribution
- A Note on Originality and Authenticity of the Alternative Movements
1. The Politics of Literature and the Forms of Literary Deviation in
Constitutional Poetry
- Resistance and Transformation in Pre-Constitutional Poetry
- Residual Forces of the Bazgasht-e Adabi Movement
- Mohammad Taqi Malek al-Sho'ara Bahar: Cohabitation of the Old and the New
2. Constitutional Poetry and the Performative Arts
- The Politics of Singing
- Theatrocracy in Mirzadeh Eshqi's Dramatic Poetry
3. The Left Wing of the Poetic Revolution and Constructive Misreading of
the Literary Tradition
- The Ra'fat Era: From Deconstruction to Construction
- Major Lahuti: Persian Socialist Realism and the Aesthetic Revolution
- Remodelling the Poetic Forms: Prosodic Metres and Rhyme Schemes
- Charpareh: A Collective Drive to Poetic Modernity
4. Modernism and High Modernism
- Modernism, Experimentalism and Avant-garde
- Nima Yushij: Self-Revision and Conscious Misreading of Oneself
5. Experimentalism in Persian Poetry between the 1930s and 1950s
- Mohammad Moqaddam, a Prose Poet: Introducing Free Verse into Persian
Poetry
- Zabih Behruz: A Wanderer Poet in the City of Drama
- Shin Partow: A Bridge between Nimaic and Experimental Poetry
6. Avant-garde Poetry between the 1940s and 1950s
- Tondar Kia: Poet of Cabarets
- Moods and Moments
- Kia: Ragpicker in Modern Tehran
- Non-Organicity
- A Dialogue with Dadaism
- Hushang Irani: Slaughterer of the Nightingale
- Irani's Violet Scream
- A Different Way of Socio-political Engagement
Conclusion
- Prospects for Further Research
Bibliography
Index
Acknowledgements
A Note on Transliteration
Introduction
- Methodology and Key Theories
- Study Framework
- Research Contribution
- A Note on Originality and Authenticity of the Alternative Movements
1. The Politics of Literature and the Forms of Literary Deviation in
Constitutional Poetry
- Resistance and Transformation in Pre-Constitutional Poetry
- Residual Forces of the Bazgasht-e Adabi Movement
- Mohammad Taqi Malek al-Sho'ara Bahar: Cohabitation of the Old and the New
2. Constitutional Poetry and the Performative Arts
- The Politics of Singing
- Theatrocracy in Mirzadeh Eshqi's Dramatic Poetry
3. The Left Wing of the Poetic Revolution and Constructive Misreading of
the Literary Tradition
- The Ra'fat Era: From Deconstruction to Construction
- Major Lahuti: Persian Socialist Realism and the Aesthetic Revolution
- Remodelling the Poetic Forms: Prosodic Metres and Rhyme Schemes
- Charpareh: A Collective Drive to Poetic Modernity
4. Modernism and High Modernism
- Modernism, Experimentalism and Avant-garde
- Nima Yushij: Self-Revision and Conscious Misreading of Oneself
5. Experimentalism in Persian Poetry between the 1930s and 1950s
- Mohammad Moqaddam, a Prose Poet: Introducing Free Verse into Persian
Poetry
- Zabih Behruz: A Wanderer Poet in the City of Drama
- Shin Partow: A Bridge between Nimaic and Experimental Poetry
6. Avant-garde Poetry between the 1940s and 1950s
- Tondar Kia: Poet of Cabarets
- Moods and Moments
- Kia: Ragpicker in Modern Tehran
- Non-Organicity
- A Dialogue with Dadaism
- Hushang Irani: Slaughterer of the Nightingale
- Irani's Violet Scream
- A Different Way of Socio-political Engagement
Conclusion
- Prospects for Further Research
Bibliography
Index
