This book explores the works of Humanist/Absurdist American playwright Jack Gelber (1932-2003), whose groundbreaking, immersive play The Connection (produced by The Living Theatre in 1959) served as the link between the Art Theatre/Beat Generation and the Off-Off Broadway movement.
This book explores the works of Humanist/Absurdist American playwright Jack Gelber (1932-2003), whose groundbreaking, immersive play The Connection (produced by The Living Theatre in 1959) served as the link between the Art Theatre/Beat Generation and the Off-Off Broadway movement.
John Patrick Bray is a playwright, screenwriter, and freelance anthology editor. He is a Professor and current Graduate Coordinator in the Department of Theatre and Film at the University of Georgia, USA.
Inhaltsangabe
Introduction 1 The Connection and The Apple: Gelber's Work with the Living Theatre 2 Square in the Eye and The Cuban Thing: Absurdist Domestic Dramas 3 Sleep Barbary Jones and Farmyard: Dreams Adaptations and Translations 4 Eat Shit: Jack Gelber's New Play: Rehearsal and Starters 5 Underproduced: Gelber's Work in the 1980s and 1990s: Rio Preserved Chambers Big Shot Magic Valley 6 Tough Love: Dylan's Line (Jack Gelber's Last Play) Conclusion: Consider This
Introduction 1 The Connection and The Apple: Gelber's Work with the Living Theatre 2 Square in the Eye and The Cuban Thing: Absurdist Domestic Dramas 3 Sleep Barbary Jones and Farmyard: Dreams Adaptations and Translations 4 Eat Shit: Jack Gelber's New Play: Rehearsal and Starters 5 Underproduced: Gelber's Work in the 1980s and 1990s: Rio Preserved Chambers Big Shot Magic Valley 6 Tough Love: Dylan's Line (Jack Gelber's Last Play) Conclusion: Consider This
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