Eleven plays that respond to the aftermath of the American-led invasion, providing a window into Iraq's cultural and theatrical landscape during a time of profound change.
Eleven plays that respond to the aftermath of the American-led invasion, providing a window into Iraq's cultural and theatrical landscape during a time of profound change.
Amir Al-Azraki is a theatre scholar and an Associate Professor of Arabic language, literature, and culture at University of Waterloo, Canada. Playwright: Waiting for Gilgamesh: Scenes from Iraq, The Mug, and The Widow . Author: The Discourse of War in Contemporary Theatre (in Arabic). Translator: Africanism: Blacks in the Medieval Arab Imaginary. Co-editor and co-translator of Contemporary Plays from Iraq. Jeffery P. Casey is Associate Professor of Theatre and Theatre Director at Norwich University, USA. His scholarly articles have appeared in Theatre Topics, Modern Drama, Quarterly Review of Film and Video, and Ecumenica.
Inhaltsangabe
Foreword by Marvin Carlson Biographies General Introduction by Amir Al-Azraki and James Al-Shamma A Cemetery by Ali Al-Abadi Robots by Faten Altaee Women of War by Jawad Al-Asadi The Mug by Amir Al-Azraki Azrael by Mithal Ghazi Almas by Muhaned Al-Hadi Sardanapalus by Khazal Al-Majidi The Clock by Nahedh al-Ramadhani Curse of Chopin by Atyaf Rashid Princes of Hell by Adul Al-Rubai Counterfeit by Ali Abdel-Nabi Al-Zaidi
Foreword by Marvin Carlson Biographies General Introduction by Amir Al-Azraki and James Al-Shamma A Cemetery by Ali Al-Abadi Robots by Faten Altaee Women of War by Jawad Al-Asadi The Mug by Amir Al-Azraki Azrael by Mithal Ghazi Almas by Muhaned Al-Hadi Sardanapalus by Khazal Al-Majidi The Clock by Nahedh al-Ramadhani Curse of Chopin by Atyaf Rashid Princes of Hell by Adul Al-Rubai Counterfeit by Ali Abdel-Nabi Al-Zaidi
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