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Susana S. Martínez's Coming of Age(ncy) on the Migrant Trail maps the contours of agency in young adult literature involving Latine/x migrant youth--a project that could not be timelier given anti-immigrant hostility, LGBTQ+ book bans, and intense scrutiny of how we teach about race. Martínez leads readers chronologically and geographically from the 1980s Central American civil wars north through Mexico during the war on drugs to the recent experiences of those living undocumented in the United States, showing that YA is an ideal medium through which to tease out those stories of Central…mehr

Produktbeschreibung
Susana S. Martínez's Coming of Age(ncy) on the Migrant Trail maps the contours of agency in young adult literature involving Latine/x migrant youth--a project that could not be timelier given anti-immigrant hostility, LGBTQ+ book bans, and intense scrutiny of how we teach about race. Martínez leads readers chronologically and geographically from the 1980s Central American civil wars north through Mexico during the war on drugs to the recent experiences of those living undocumented in the United States, showing that YA is an ideal medium through which to tease out those stories of Central American migration that are often subsumed within Latine/x studies and to combat stereotypes of young migrants. Viewed through the lenses of intersectionality and racialized capitalism's politics of disposability, the novels in question contribute to timely antiracist pedagogical discussions where youth emerge as catalysts for social change. By including non-Latinx authors who wrote about the Guatemalan and Salvadoran civil conflicts alongside authors from the Central American diaspora--Marcia Argueta Mickelson, Jennifer De Leon, and Bessie Flores Zaldívar among them--Martínez invites us to reflect on solidarity in contentious times.
Autorenporträt
Susana S. Martínez is Associate Professor in the Department of Modern Languages at DePaul University. Her articles have appeared in Ciberletras, Brújula, Studies in Latin American Popular Culture, and elsewhere.