Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Activist Encounters in Folklore and Ethnomusicology
Denise Dalphond is an independent, public sector scholar of ethnomusicology specializing in Detroit techno and house music. She writes about music and activism at schoolcraftwax.work. Alison Martin is a PhD Student in the Department of Folklore and Ethnomusicology at Indiana University. Her dissertation work focuses on the intersections of gentrification, race, and sound in Washington, DC. Portia K. Maultsby is Laura Boulton Professor Emerita of Ethnomusicology in the Department of Folklore and Ethnomusicology at Indiana University. Sheis editor with Mellonee V. Burnim of African American Music: An Introduction ,and Issues in African American Music: Power, Gender, Race, Representation . Fernando Orejuela is Senior Lecturer and Director of Undergraduate Studies in the Department of Folklore and Ethnomusicology at Indiana University. He is the author of Rap Music and Hip Hop Culture. Stephanie Shonekan is Associate Professor of Ethnomusicology and Black Studies at the University of Missouri. She is the author of Soul, Country and the USA: Race and Identity in American Music and The Life of Camilla Williams, African American Classical Singer and Opera Diva. Langston Collin Wilkins is Traditional Arts Specialist with the Tennessee Arts Commission. He is currently writing an ethnographic manuscript on cultivation of local identity within Houston's screwed & chopped hip hop music scene.
Inhaltsangabe
Foreword / Portia K. Maultsby Acknowledgments Introduction to Black Lives Matter and Music: Protest, Intervention, Reflection / Fernando Orejuela 1. BlackMizzou: Music and Stories One Year Later / Stephanie Shonekan 2. Black Matters: Black Folk Studies and Black Campus Life Matters / Fernando Orejuela 3. Blackfolklifematters: SLABs and The Social Importance of Contemporary African American Folklife / Langston Collin Wilkins 4. BlackMusicMatters: Affirmation and Resilience in African American Musical Spaces in Washington, D.C. / Alison Martin 5. Black Detroit: Sonic Distortion Fuels Social Distortion / Denise Dalphond Conclusion: Race, Place, and Pedagogy in the Black Lives Matter Era / Stephanie Shonekan Index
Foreword / Portia K. Maultsby Acknowledgments Introduction to Black Lives Matter and Music: Protest, Intervention, Reflection / Fernando Orejuela 1. BlackMizzou: Music and Stories One Year Later / Stephanie Shonekan 2. Black Matters: Black Folk Studies and Black Campus Life Matters / Fernando Orejuela 3. Blackfolklifematters: SLABs and The Social Importance of Contemporary African American Folklife / Langston Collin Wilkins 4. BlackMusicMatters: Affirmation and Resilience in African American Musical Spaces in Washington, D.C. / Alison Martin 5. Black Detroit: Sonic Distortion Fuels Social Distortion / Denise Dalphond Conclusion: Race, Place, and Pedagogy in the Black Lives Matter Era / Stephanie Shonekan Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
