Ina Blom, Trond Lundemo, Eivind Rřssaak, Wolfgang Ernst, Sónia MatosArchives, Technology, and the Social
Memory in Motion
Archives, Technology, and the Social
Herausgeber: Blom, Ina; Røssaak, Eivind; Lundemo, Trond
Ina Blom, Trond Lundemo, Eivind Rřssaak, Wolfgang Ernst, Sónia MatosArchives, Technology, and the Social
Memory in Motion
Archives, Technology, and the Social
Herausgeber: Blom, Ina; Røssaak, Eivind; Lundemo, Trond
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This collection offers a set of essays that discuss the new technology of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.
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This collection offers a set of essays that discuss the new technology of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 332
- Erscheinungstermin: 1. November 2016
- Englisch
- Abmessung: 240mm x 161mm x 22mm
- Gewicht: 663g
- ISBN-13: 9789462982147
- ISBN-10: 9462982147
- Artikelnr.: 45676260
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 332
- Erscheinungstermin: 1. November 2016
- Englisch
- Abmessung: 240mm x 161mm x 22mm
- Gewicht: 663g
- ISBN-13: 9789462982147
- ISBN-10: 9462982147
- Artikelnr.: 45676260
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Ina Blom is a Professor at the Department of Philosopy, Classics, History of Art and Ideas at the University of Oslo and Visiting Professor at the Dept. of Art History, University of Chicago. She is the author of On The Style Site. Art, Sociality, and Media Culture (2007) and The Autobiography of Video. The Life and Times of a Memory Technology (2016). Trond Lundemo is Associate Professor in Cinema Studies at The Department of Media Studies, Stockholm University. He is co-editor of The Location of History, vol. 3: Memory, Media and Materiality (in Swedish, 2016) and co-editor of the book series Film Theory in Media History at Amsterdam University Press. Eivind Røssaak is Associate Professor in the Research Department at the National Library of Norway and Visiting Professor at Nordland College of Cinema and the Arts. He is the editor of The Archive in Motion (2010) and Between Stillness and Motion (2011) and the author of The Still/Moving Image: Cinema and the Arts (2010).
Ina Blom: Introduction Oralities Chapter One: Wolfgang Ernst: 'Electrified
Voices': Non-Human Agencies of Socio-Cultural Memory Chapter Two: Sonia
Matos: Can Languages be Saved? Linguistic Heritage and the Moving Archive
Softwares Chapter Three: Matthew Fuller, Andrew Goffey, Adrian Mackenzie,
Richard Mills, Stuart Sharples: Big Diff, Granularity, Incoherence and
Production in the Github Software Repository Chapter Four: David Berry: The
Post-Archival Constellation: The Archive Under the Technical Conditions of
Computational Media Lives Chapter Five: Jussi Parikka: Planetary Goodbyes:
Post-History and Future Memories of an Ecological Past Chapter Six: Ina
Blom: Video Water, Video Life, Videosociality Chapter Seven: Eivind
Røssaak: FileLife: Constant, Kurenniemi and the Question of Living Archives
Images Chapter Eight: Trond Lundemo: Mapping the World: Les Archives de la
planète and the Mobilisation of Memory Chapter Nine: Pasi Valiaho: Stills
from a Film That Was Never Made: Cinema, Gesture, Memory Chapter Ten: Liv
Hausken: The Archival Promise of the Biometric Passport Socialities Chapter
Eleven: Tiziana Terranova: A Neomonadology of Social (Memory) Production
Chapter Twelve: Yuk Hui: On the Synthesis of Social Memories
Voices': Non-Human Agencies of Socio-Cultural Memory Chapter Two: Sonia
Matos: Can Languages be Saved? Linguistic Heritage and the Moving Archive
Softwares Chapter Three: Matthew Fuller, Andrew Goffey, Adrian Mackenzie,
Richard Mills, Stuart Sharples: Big Diff, Granularity, Incoherence and
Production in the Github Software Repository Chapter Four: David Berry: The
Post-Archival Constellation: The Archive Under the Technical Conditions of
Computational Media Lives Chapter Five: Jussi Parikka: Planetary Goodbyes:
Post-History and Future Memories of an Ecological Past Chapter Six: Ina
Blom: Video Water, Video Life, Videosociality Chapter Seven: Eivind
Røssaak: FileLife: Constant, Kurenniemi and the Question of Living Archives
Images Chapter Eight: Trond Lundemo: Mapping the World: Les Archives de la
planète and the Mobilisation of Memory Chapter Nine: Pasi Valiaho: Stills
from a Film That Was Never Made: Cinema, Gesture, Memory Chapter Ten: Liv
Hausken: The Archival Promise of the Biometric Passport Socialities Chapter
Eleven: Tiziana Terranova: A Neomonadology of Social (Memory) Production
Chapter Twelve: Yuk Hui: On the Synthesis of Social Memories
Ina Blom: Introduction Oralities Chapter One: Wolfgang Ernst: 'Electrified
Voices': Non-Human Agencies of Socio-Cultural Memory Chapter Two: Sonia
Matos: Can Languages be Saved? Linguistic Heritage and the Moving Archive
Softwares Chapter Three: Matthew Fuller, Andrew Goffey, Adrian Mackenzie,
Richard Mills, Stuart Sharples: Big Diff, Granularity, Incoherence and
Production in the Github Software Repository Chapter Four: David Berry: The
Post-Archival Constellation: The Archive Under the Technical Conditions of
Computational Media Lives Chapter Five: Jussi Parikka: Planetary Goodbyes:
Post-History and Future Memories of an Ecological Past Chapter Six: Ina
Blom: Video Water, Video Life, Videosociality Chapter Seven: Eivind
Røssaak: FileLife: Constant, Kurenniemi and the Question of Living Archives
Images Chapter Eight: Trond Lundemo: Mapping the World: Les Archives de la
planète and the Mobilisation of Memory Chapter Nine: Pasi Valiaho: Stills
from a Film That Was Never Made: Cinema, Gesture, Memory Chapter Ten: Liv
Hausken: The Archival Promise of the Biometric Passport Socialities Chapter
Eleven: Tiziana Terranova: A Neomonadology of Social (Memory) Production
Chapter Twelve: Yuk Hui: On the Synthesis of Social Memories
Voices': Non-Human Agencies of Socio-Cultural Memory Chapter Two: Sonia
Matos: Can Languages be Saved? Linguistic Heritage and the Moving Archive
Softwares Chapter Three: Matthew Fuller, Andrew Goffey, Adrian Mackenzie,
Richard Mills, Stuart Sharples: Big Diff, Granularity, Incoherence and
Production in the Github Software Repository Chapter Four: David Berry: The
Post-Archival Constellation: The Archive Under the Technical Conditions of
Computational Media Lives Chapter Five: Jussi Parikka: Planetary Goodbyes:
Post-History and Future Memories of an Ecological Past Chapter Six: Ina
Blom: Video Water, Video Life, Videosociality Chapter Seven: Eivind
Røssaak: FileLife: Constant, Kurenniemi and the Question of Living Archives
Images Chapter Eight: Trond Lundemo: Mapping the World: Les Archives de la
planète and the Mobilisation of Memory Chapter Nine: Pasi Valiaho: Stills
from a Film That Was Never Made: Cinema, Gesture, Memory Chapter Ten: Liv
Hausken: The Archival Promise of the Biometric Passport Socialities Chapter
Eleven: Tiziana Terranova: A Neomonadology of Social (Memory) Production
Chapter Twelve: Yuk Hui: On the Synthesis of Social Memories







