This anthology offers the first systematic exploration of the 9.5mm amateur film culture, practice, and consumption, from its launch in 1922 to the present day. The sixteen chapters in this volume bring fresh insight into early participatory media culture and confirm the ongoing influence and impact of 9.5mm film on global media studies.
This anthology offers the first systematic exploration of the 9.5mm amateur film culture, practice, and consumption, from its launch in 1922 to the present day. The sixteen chapters in this volume bring fresh insight into early participatory media culture and confirm the ongoing influence and impact of 9.5mm film on global media studies.
Annamaria Motrescu-Mayes is based at the University of Cambridge as a visual theorist, academic supervisor at the Department of Social Anthropology, Fellow of Clare Hall, and a member of the Centre for the Study of Global Human Movement. Her ongoing research and publications address questions of visual literacy and trauma, amateur media, and the anthropology of memory and migration. Zoë Viney Burgess completed her PhD in film at the University of Southampton (2024). She works simultaneously as a film curator at Wessex Film and Sound Archive, Winchester (UK), and as a senior research fellow in Screen Archives at the University of West London's Public Research Institute of Screen and Music (PRISM).
Inhaltsangabe
Introduction Part I: Baby Cine: kinship through technology-three-eighths of an inch 1 9.5mm kinship and the creation of a new participatory media literacy Annamaria Motrescu-Mayes 2 The Pathé Baby attitude: voluntariness, amateurism, craft, and electricity Mats Björkin 3 Framing fragments: a young English woman and her 9.5mm Pathé Baby Ciné during the 1930s Heather Norris Nicholson 4 Women and the 'Baby' ciné: gendered approaches to interwar amateur filmmaking in Britain Paul Frith 5 The sensation of colour: Josef Mroz and his shortlived colour process Mroz Farbenfilm Stefanie Zingl Part II: The world of 9.5mm: pioneers, experimentation, and recovery 6 An Arctic trial: Pathé Baby in the extreme lands-the case of the 9.5mm amateur film of the Nobile expedition to the North Pole (1928) Andrea Mariani and Luca Mazzei 7 The Pathé Baby projector: a tool of the Catholic Church Elvira Shahmiri 8 Pathé Baby films of North Africa Nicole Beth Wallenbrock 9 In search of 9.5mm widescreen Guy Edmonds 10 A (small) history of Taiwanese cinema: Pathé Baby and its early years during the Japanese rule of Taiwan (1920s-1930s) Wei-Chu Shih 11 They survive on nine-point-five: the lost films on the 9.5mm gauge and the need for their preservation Christopher Bird Part III: The social gauge: cine clubs and archival networks 12 A mixed economy: 9.5mm in ciné-club environments: Crystal Productions-Bournemouth Film Club 215 Zoë Viney Burgess 13 The social gauge: 9.5mm technologies and amateur cinema in Europe Ryan Shand 14 Filmclub 9,5 Bern: exploring the collection and participation practices of a Swiss amateur ciné-club Eliane Antonia Maurer 15 Extending the influence of cinema: 9.5mm in Catalonia (1924-1940) Enrique FibläGutierrez, Mariona Bruzzo, Rosa Cardona, and Ignasi Renau 16 The Grahame L. Newnham Collection and the University of Southern California HMH Foundation Moving Image Archive Dino Everett Geographical list of archives with known 9.5mm holdings List of prices for 9.5mm Equipment (UK)
Introduction Part I: Baby Cine: kinship through technology-three-eighths of an inch 1 9.5mm kinship and the creation of a new participatory media literacy Annamaria Motrescu-Mayes 2 The Pathé Baby attitude: voluntariness, amateurism, craft, and electricity Mats Björkin 3 Framing fragments: a young English woman and her 9.5mm Pathé Baby Ciné during the 1930s Heather Norris Nicholson 4 Women and the 'Baby' ciné: gendered approaches to interwar amateur filmmaking in Britain Paul Frith 5 The sensation of colour: Josef Mroz and his shortlived colour process Mroz Farbenfilm Stefanie Zingl Part II: The world of 9.5mm: pioneers, experimentation, and recovery 6 An Arctic trial: Pathé Baby in the extreme lands-the case of the 9.5mm amateur film of the Nobile expedition to the North Pole (1928) Andrea Mariani and Luca Mazzei 7 The Pathé Baby projector: a tool of the Catholic Church Elvira Shahmiri 8 Pathé Baby films of North Africa Nicole Beth Wallenbrock 9 In search of 9.5mm widescreen Guy Edmonds 10 A (small) history of Taiwanese cinema: Pathé Baby and its early years during the Japanese rule of Taiwan (1920s-1930s) Wei-Chu Shih 11 They survive on nine-point-five: the lost films on the 9.5mm gauge and the need for their preservation Christopher Bird Part III: The social gauge: cine clubs and archival networks 12 A mixed economy: 9.5mm in ciné-club environments: Crystal Productions-Bournemouth Film Club 215 Zoë Viney Burgess 13 The social gauge: 9.5mm technologies and amateur cinema in Europe Ryan Shand 14 Filmclub 9,5 Bern: exploring the collection and participation practices of a Swiss amateur ciné-club Eliane Antonia Maurer 15 Extending the influence of cinema: 9.5mm in Catalonia (1924-1940) Enrique FibläGutierrez, Mariona Bruzzo, Rosa Cardona, and Ignasi Renau 16 The Grahame L. Newnham Collection and the University of Southern California HMH Foundation Moving Image Archive Dino Everett Geographical list of archives with known 9.5mm holdings List of prices for 9.5mm Equipment (UK)
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