Introduction: Approaching Medieval Motets
Jared C. Hartt The Genre(s) of Medieval Motets
Elizabeth Eva Leach Origins and Interactions: Clausula, Motet, Conductus
Catherine Bradley Tracing the Tenor in Medieval Motets
Alice V. Clark Isorhythm
Lawrence Earp Notations
Karen Desmond Thirteenth
Century Motet Functions: Views through the Lens of the Portare Motet Family
Dolores Pesce A Prism of its Time: Social Functions of the Motet in Fourteenth
Century France
Jacques Boogaart Motets, Manuscript Culture, Mise
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John Haines and Stefan Udell Clerics, Courtiers, and the Vernacular Two
Voice Motet: The Case of Fines amouretes/Fiat and the Roman de la poire
Jennifer Saltzstein When Words Converge and Meanings Diverge: Counterexamples to Polytextuality in the Thirteenth
Century Motet
Suzannah Clark Motets in Chansonniers and the Other Culture of the French Thirteenth
Century Motet
Gaël Saint
Cricq Building a Motet around Quoted Material: Textual and Muscial Structure in Motets Based on Monophonic Songs
Matthew P. Thomson The Duet Motet in England: Genre, Tonal Coherence, Reconstruction
Jared C. Hartt Materia Matters: Reconstructing Colla/Bona
Anna Zayaruznaya Machaut's Motet 10 and its Interconnections
Margaret Bent A Motet Conceived in Troubled Times: Machaut's Motet 22
Sarah Fuller A Motet Ahead of its Time? The Curious Case of Portio nature/Ida capillorum
Emily Zazulia Bibliography of Works Cited
