A Feminist Companion to Song of Songs
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The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist…mehr

Produktbeschreibung
The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist Appropriations; Specific Readings: Allegories and Feminists; and The Song of Songs Personalized.
Autorenporträt
Athalya Brenner-Idan is Professor Emerita of the HB\OT Chair at the Universiteit van Amsterdam, The Netherlands; and currently Professor in Biblical Studies at the Department of Hebrew Culture Studies, Tel Aviv University, Israel, and Research Associate at the Biblia Arabica Project there. In addition, she is Extraordinary Professor at the Department of OT/NT, Faculty of Theology, Stellenbosch University, South Africa. Her website is http://athalya-morah-letorah.com.