A friend and pupil of Mendelssohn, the composer and author William Smith Rockstro (1823-95) was regarded as an expert on early music. He contributed articles on the subject to Sir George Grove's Dictionary of Music and Musicians as well as teaching counterpoint and plainsong at the Royal College of Music. His published output includes biographies of Handel (1883), Mendelssohn (1884) and the opera singer Jenny Lind (1891), all of which are reissued in this series. The present work was first published in 1886. In its narrative of musical history since the Greeks, it gives due weight to the…mehr
A friend and pupil of Mendelssohn, the composer and author William Smith Rockstro (1823-95) was regarded as an expert on early music. He contributed articles on the subject to Sir George Grove's Dictionary of Music and Musicians as well as teaching counterpoint and plainsong at the Royal College of Music. His published output includes biographies of Handel (1883), Mendelssohn (1884) and the opera singer Jenny Lind (1891), all of which are reissued in this series. The present work was first published in 1886. In its narrative of musical history since the Greeks, it gives due weight to the development of music in England and includes, naturally, a chapter on Handel that reflects his enduring influence on national taste. The final section of the book discusses the contemporary musical scene and considers the importance of the recently deceased Wagner for the music of the future.
Preface Part I. Music in the Early Ages: 1. The music of the Greeks 2. The music of the early Christians Part II. Music in the Middle Ages: 3. The condition of music in the early middle ages 4. Troubadours, minstrels and minnesingers 5. The invention of counterpoint 6. Concerning the polyphonic schools 7. The productions of the polyphonic schools 8. Polyphonic music in England 9. Mediaeval hymnody Part III. Music in the Seventeenth Century: 10. On the schools of the decadence 11. Early history of the opera 12. Early history of the oratorio 13. Instrumental music 14. The later composers 15. The English school of the Restoration Part IV. Music in the Eighteenth Century: 16. Music in Italy 17. Music in France, England and Germany 18. The modern system of part-writing 19. The seven lamps 20. George Frederick Handel 21. Johann Sebastian Bach 22. Christoph Willibald Gluck 23. Franz Joseph Haydn 24. Wolfgang Amadeus Mozart 25. Ludwig van Beethoven 26. The development of the piano-forte 27. Dramatic music in Italy 28. Dramatic music in France 29. The schools of Leipzig and Vienna 30. Music in England Part V. Music in the Nineteenth Century: 31. The seven lesser lights 32. Music in Italy 33. The German schools 34. The French schools 35. The English schools Part VI. The Present Condition of Music, and its Probable Influence upon the Future: 36. The new world 37. Wilhelm Richard Wagner 38. L'envoi Appendix Index and chronological table.
Preface Part I. Music in the Early Ages: 1. The music of the Greeks 2. The music of the early Christians Part II. Music in the Middle Ages: 3. The condition of music in the early middle ages 4. Troubadours, minstrels and minnesingers 5. The invention of counterpoint 6. Concerning the polyphonic schools 7. The productions of the polyphonic schools 8. Polyphonic music in England 9. Mediaeval hymnody Part III. Music in the Seventeenth Century: 10. On the schools of the decadence 11. Early history of the opera 12. Early history of the oratorio 13. Instrumental music 14. The later composers 15. The English school of the Restoration Part IV. Music in the Eighteenth Century: 16. Music in Italy 17. Music in France, England and Germany 18. The modern system of part-writing 19. The seven lamps 20. George Frederick Handel 21. Johann Sebastian Bach 22. Christoph Willibald Gluck 23. Franz Joseph Haydn 24. Wolfgang Amadeus Mozart 25. Ludwig van Beethoven 26. The development of the piano-forte 27. Dramatic music in Italy 28. Dramatic music in France 29. The schools of Leipzig and Vienna 30. Music in England Part V. Music in the Nineteenth Century: 31. The seven lesser lights 32. Music in Italy 33. The German schools 34. The French schools 35. The English schools Part VI. The Present Condition of Music, and its Probable Influence upon the Future: 36. The new world 37. Wilhelm Richard Wagner 38. L'envoi Appendix Index and chronological table.
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