Introduction. America's Great War at one hundred (and counting) Tim Dayton and Mark W. Van Wienen; Part I. Genre and Medium: 1. Poetry: hegemonic vistas Tim Dayton; 2. Fiction: a war remembered Scott D. Emmert; 3. Film: mostly classical Hollywood cinema goes to war and sometimes brings it home Leslie DeBauche; 4. Drama: from literary fantasy to gritty realism Brenda Murphy; 5. Popular music: tin pan alley as national barometer John Roger Paas; 6. Journalism: adventure and reckoning Joe Hayden; 7. Memoirs: negotiating the great war's social memory Ian Andrew Isherwood; 8. Art and illustration: modes of visual persuasion David M. Lubin; Part II. Settings and Subjects: 9. The peace movement: rapid development, women's leadership, regional diversity Kathleen Brown; 10. Americans in France: women writers and international responsibility Jennifer Haytock; 11. German Americans: dual loyalties and poetic adaptations of 'The watch on the Rhine' Lorie Vanchena; 12. The English in America: cultural propaganda and its agents Alisa Miller; 13. Preparedness: Theodore Roosevelt, Leonard Wood, and rookie rhymes Adam Szetela; 14. Propaganda: martialing media Pearl James; 15. Conscientious objectors: conscience, courage, and resistance Scott H. Bennett; 16. Volunteers: ambulance and nursing narratives Hazel Hutchison; 17. African Americans: defining freedom, citizenship, and patriotism Françoise N. Hamlin; 18. In the Midwest: 'Borne back ceaselessly into the past' David Rennie; 19. In the south: three Mississippi writers and the Great War mobilization David A. Davis; 20. Revolution: winning the world, losing the (middle) way Mark W. Van Wienen; 21. Monuments and memorials: memory dissipated Mark Levitch; Part III. Transformations: 22. The nation: forging one, finding many Jonathan Vincent; 23. Free speech: 'clear and present danger' Ernest Freeberg; 24. Labour: from replaceable cogs to corporate citizens Thomas Mackaman; 25. The veteran: parades, bitter homecomings, and fictions of the doughboy's return Steven Trout; 26. The military-industrial complex: practices, precedents, and literary engagements Mark Whalan; 27. The world: race, red-baiting, and the Wilsonian century Alexander Anievas.
Introduction. America's Great War at one hundred (and counting) Tim Dayton and Mark W. Van Wienen; Part I. Genre and Medium: 1. Poetry: hegemonic vistas Tim Dayton; 2. Fiction: a war remembered Scott D. Emmert; 3. Film: mostly classical Hollywood cinema goes to war and sometimes brings it home Leslie DeBauche; 4. Drama: from literary fantasy to gritty realism Brenda Murphy; 5. Popular music: tin pan alley as national barometer John Roger Paas; 6. Journalism: adventure and reckoning Joe Hayden; 7. Memoirs: negotiating the great war's social memory Ian Andrew Isherwood; 8. Art and illustration: modes of visual persuasion David M. Lubin; Part II. Settings and Subjects: 9. The peace movement: rapid development, women's leadership, regional diversity Kathleen Brown; 10. Americans in France: women writers and international responsibility Jennifer Haytock; 11. German Americans: dual loyalties and poetic adaptations of 'The watch on the Rhine' Lorie Vanchena; 12. The English in America: cultural propaganda and its agents Alisa Miller; 13. Preparedness: Theodore Roosevelt, Leonard Wood, and rookie rhymes Adam Szetela; 14. Propaganda: martialing media Pearl James; 15. Conscientious objectors: conscience, courage, and resistance Scott H. Bennett; 16. Volunteers: ambulance and nursing narratives Hazel Hutchison; 17. African Americans: defining freedom, citizenship, and patriotism Françoise N. Hamlin; 18. In the Midwest: 'Borne back ceaselessly into the past' David Rennie; 19. In the south: three Mississippi writers and the Great War mobilization David A. Davis; 20. Revolution: winning the world, losing the (middle) way Mark W. Van Wienen; 21. Monuments and memorials: memory dissipated Mark Levitch; Part III. Transformations: 22. The nation: forging one, finding many Jonathan Vincent; 23. Free speech: 'clear and present danger' Ernest Freeberg; 24. Labour: from replaceable cogs to corporate citizens Thomas Mackaman; 25. The veteran: parades, bitter homecomings, and fictions of the doughboy's return Steven Trout; 26. The military-industrial complex: practices, precedents, and literary engagements Mark Whalan; 27. The world: race, red-baiting, and the Wilsonian century Alexander Anievas.
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