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A new, compact edition of David Hockney and Martin Gayfordà â â s brilliantly original book, with a revised final chapter and three entirely new Hockney artworks
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A new, compact edition of David Hockney and Martin Gayfordà â â s brilliantly original book, with a revised final chapter and three entirely new Hockney artworks
Produktdetails
- Produktdetails
- Verlag: Thames & Hudson Ltd
- New Edition
- Seitenzahl: 372
- Erscheinungstermin: 20. Februar 2020
- Englisch
- Abmessung: 239mm x 163mm x 34mm
- Gewicht: 1064g
- ISBN-13: 9780500094235
- ISBN-10: 0500094233
- Artikelnr.: 58702246
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Thames & Hudson Ltd
- New Edition
- Seitenzahl: 372
- Erscheinungstermin: 20. Februar 2020
- Englisch
- Abmessung: 239mm x 163mm x 34mm
- Gewicht: 1064g
- ISBN-13: 9780500094235
- ISBN-10: 0500094233
- Artikelnr.: 58702246
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
David Hockney is considered one of the most influential British artists of the 20th century. He has produced work in almost every medium - painting, drawing, stage design, photography and printmaking - and has stretched the boundaries of all of them. Born in Bradford, England, in 1937, Hockney attended art school in London before moving to Los Angeles in the 1960s. There, he painted his famous swimming pool paintings. In a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time. He continues to create and exhibit art. Martin Gayford is art critic for The Spectator and the author of acclaimed books on Van Gogh, Constable and Michelangelo. He is the author of Man with a Blue Scarf, Rendez-vous with Art and A Bigger Message. He has collaborated with David Hockney on A Bigger Message: Conversations with David Hockney and A History of Pictures, and has co-written a volume of travels and conversations with Philippe de Montebello: Rendez-vous with Art.
1. Pictures, Art and History 2. Pictures and Reality 3. Making Marks 4.
Shadows 5. Picturing Space and Time 6. Brunelleschi's Window and Alberti's
Mirror 7. Mirrors and Reflections 8. Paper, Paint and Multiplying Pictures
9. Painting the Stage and Staging Paintings 10. Caravaggio and the Academy
of the Lynx-Eyed 11. Vermeer and Rembrandt: the Hand, the Lens and the
Heart 12. Truth and Beauty in the Age of Reason 13. The Camera Before and
After 1839 14. Photography, Truth and Painting 15. Painting with and
without Photography 16. Snapshots and Moving Pictures 17. Movies and Stills
18. The Unending History of Pictures
Shadows 5. Picturing Space and Time 6. Brunelleschi's Window and Alberti's
Mirror 7. Mirrors and Reflections 8. Paper, Paint and Multiplying Pictures
9. Painting the Stage and Staging Paintings 10. Caravaggio and the Academy
of the Lynx-Eyed 11. Vermeer and Rembrandt: the Hand, the Lens and the
Heart 12. Truth and Beauty in the Age of Reason 13. The Camera Before and
After 1839 14. Photography, Truth and Painting 15. Painting with and
without Photography 16. Snapshots and Moving Pictures 17. Movies and Stills
18. The Unending History of Pictures
1. Pictures, Art and History 2. Pictures and Reality 3. Making Marks 4.
Shadows 5. Picturing Space and Time 6. Brunelleschi's Window and Alberti's
Mirror 7. Mirrors and Reflections 8. Paper, Paint and Multiplying Pictures
9. Painting the Stage and Staging Paintings 10. Caravaggio and the Academy
of the Lynx-Eyed 11. Vermeer and Rembrandt: the Hand, the Lens and the
Heart 12. Truth and Beauty in the Age of Reason 13. The Camera Before and
After 1839 14. Photography, Truth and Painting 15. Painting with and
without Photography 16. Snapshots and Moving Pictures 17. Movies and Stills
18. The Unending History of Pictures
Shadows 5. Picturing Space and Time 6. Brunelleschi's Window and Alberti's
Mirror 7. Mirrors and Reflections 8. Paper, Paint and Multiplying Pictures
9. Painting the Stage and Staging Paintings 10. Caravaggio and the Academy
of the Lynx-Eyed 11. Vermeer and Rembrandt: the Hand, the Lens and the
Heart 12. Truth and Beauty in the Age of Reason 13. The Camera Before and
After 1839 14. Photography, Truth and Painting 15. Painting with and
without Photography 16. Snapshots and Moving Pictures 17. Movies and Stills
18. The Unending History of Pictures







