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Written by an international team of experts, this book brings together the fruits of recent research into all areas of Russian theatre history. Of particular interest are the chapters written by senior Russian academics, who not only reveal previously unpublished documentation but also offer alternative insights into their subjects. The History covers the whole range of Russian dramatic experience, from puppet theatre to ballet and grand opera, but its emphasis is on the practice of theatre, especially acting, and the final chapter puts Russian theatre into the wider context of Western…mehr

Produktbeschreibung
Written by an international team of experts, this book brings together the fruits of recent research into all areas of Russian theatre history. Of particular interest are the chapters written by senior Russian academics, who not only reveal previously unpublished documentation but also offer alternative insights into their subjects. The History covers the whole range of Russian dramatic experience, from puppet theatre to ballet and grand opera, but its emphasis is on the practice of theatre, especially acting, and the final chapter puts Russian theatre into the wider context of Western performance and the stage. The History begins with the earliest endeavours, with rituals and entertainments, and moves through to the emergence of established drama in the eighteenth century. The history of twentieth-century Russian theatre is a special feature of the volume, with chapters following the progress of drama and performance from the revolution, through communism, up until recent years.
Autorenporträt
Robert Leach was the first Artistic Director of the Lichfield Mysteries, and he selected and edited the plays in the cycle. He is a prize-winning poet, theatre director and academic. He has been Reader in Drama and Theatre Arts at the University of Birmingham, and Senior Lecturer in English Literature at Edinburgh University. He has acted professionally in Britain and U.S.A., and directed plays in Russia as well as Britain. His production of I Want a Baby by Sergei Tretyakov at the Teatr u Nikitskikh Vorot in Moscow in 1990 was the Russian premiere of this 1920s play which was banned in the Communist Soviet Union for decades.