A History of the World in 10 1/2 Chapters - Barnes, Julian
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History isn't what happened. History is just what historians tell us. From the Titanic to the Amazon, the raft of the Medusa to an ecclesiastical court in medieval France where a bizarre case is about to begin, A History of the World in 10¿ Chapters presents a surprising, subversive, fictional history of earth told from several kaleidoscopic perspectives. Ambitious yet accessible, witty and playfully serious, this is no ordinary history, but something stranger: a challenge and a delight for the reader's imagination. 'Funny, ironic, erudite, surprising, and not afraid to take a dive overboard into the depths of sorrow and loss' Nadime Gordimer…mehr

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Produktbeschreibung
History isn't what happened. History is just what historians tell us. From the Titanic to the Amazon, the raft of the Medusa to an ecclesiastical court in medieval France where a bizarre case is about to begin, A History of the World in 10¿ Chapters presents a surprising, subversive, fictional history of earth told from several kaleidoscopic perspectives. Ambitious yet accessible, witty and playfully serious, this is no ordinary history, but something stranger: a challenge and a delight for the reader's imagination. 'Funny, ironic, erudite, surprising, and not afraid to take a dive overboard into the depths of sorrow and loss' Nadime Gordimer
Autorenporträt
Julian Barnes is the author of fourteen novels, including The Sense of an Ending, which won the 2011 Booker Prize, and Sunday Times bestsellers The Noise of Time and The Only Story. He has also written three books of short stories, four collections of essays and five works of non-fiction, including Nothing to Be Frightened Of and the Sunday Times number one bestseller Levels of Life. He was awarded the David Cohen Prize for lifetime contribution to literature in 2011, and the Légion d'honneur in 2017.
Rezensionen
Frequently brilliant, funny, thoughtful, iconoclastic, and a delight to read. Barnes is like a worldly, secular reincarnation of a medieval gloss-writer on sacred texts, and what he offers us is the novel as footnote to history, as subversion of the given, as brilliant, elaborate doodle around the margins of what we think about what we think we know Observer